INDEX. 395 



Conditions of the three primaries not the same, 61. 



Consistency of motive essential to the beautiful, 186. 



Consoles, inverted, 345. 



Constantine. Coloured glass windows used before time of, 29. 



Constitutions of some wise professors plausible, but impossible, 8. 



Contrast, 74, 75, 77, 78. 



Contrasts of colour, 59, 78. 



allowed in ornament which would be harsh in a picture, 5. 

 Conventional objects in ornaments of different periods, 226. 

 Copies from the antique not necessarily beautiful, 186. 



of good and bad designs, 175. 



may give a likeness without the real character, 330. 

 Corinthian capitals, The earliest, 299. 

 Cornelius, Windows by, at Cologne, 22, 94. 

 Costume of ancient figures in modern sculpture, 235. 

 Country houses, 344, 345, 367. 

 Crimson, Name of, 83. 

 Crimson, in combination, 121, 139. 

 Crystal Palace of Sydenham. Roman and other courts at the, 109. 



Damascus. Mosaics in houses of, 22. 

 Darker patterns of the same colour as the grounds good, 107. 

 Day's " Treasury of Ornamental Art," 156. 

 Dead likenesses, 324. 



Decorative work. No degradation for an artist to employ himself in, 325. 

 Design, Our general improvement in, 354 — 356. 

 and production, arts of, 168. 



imitation, Arts of, different, 223. 

 Designer often less to blame for -faulty design than purchaser, 188, 189. 

 Designs, Arrangement of, from a root, 263. 



to appear as if formed for the space they occupy, 264. 

 Copies from good, often mistaken, 223. 

 Good, not necessarily expensive, 168. 

 made up of different ideas, 222. 

 Different ideas combined, 222. 



substances combined, 221, 223. 

 Diocletian, Inscription on wood of the time of, 308. 

 Discords, 113, 114. 



mistaken for concords, 92, 93. 

 Mode of reconciling, 130, 160. 

 Doge's palace at Venice, The exterior of, 336. 

 Domes, Proportions of Saracenic, 206. 

 Doric triglyphs with Ionic columns, 240. 

 Double motive rarely tolerable, 337. 

 Drab in combination, 129, 145. 

 Drawing, Great importance of, 197. 



neglected in England, 197. 

 Dresses, Colours good for ornamentation not always suited for, 78. 



and draperies differ in the colours they require, 78, 106, 110, 165. 

 Drunkenness, how to be lessened, 195. 

 Dutch carpets, dull coloured, 25. 

 colouring, 78. 

 gardens, 15. 



Echinus moulding, badly imitated, 352. 



Edgings for garden beds, 370. 



" Effects " often the excuse for imperfect drawing, 329. 



Egyptian colours, red, blue, green, and yellow, 95, 132, 134. 



coloured designs, 153.*-' 



figures painted the same in all actions of joy, grief, &c, 285. 



