398 INDEX. 



Glass for murrhine cups and false stones, 31, 32. 

 Painted, used at an early time in France, 27. 



shown to have been practised by the Byzantine Greeks, 34. 

 claimed as a French invention, 34. 

 Painting on, a false principle, 42 — 45, 47, 49. 

 Paintings on, in London churches, 46. 

 of different periods, 36, 42—48. 

 Perpendicular time, 44. 

 the 1300, rich in colour, 36. 

 Stained, used by the early Arabs, adopted from the Byzantine Greeks, 28. 

 introduced into Franee, 33. 

 Early use of, in Rome, 29. 

 used previously, 29. 



mentioned by Prudentius a. d. 400, in windows, 28. 

 stained and painted, Difference of, 34. 

 vase with metal handles, 220. 

 went to Venice after it had gone to Rome and Constantinople from 



Egypt, 32. 

 -making of Venice, 32. 



White, seldom to be used in windows, 40, 41. 

 Coloured windows of, in France (see French churches, and see Glass), 27, 



28, 35, 38. 

 windows, Some conditions for, 40, 41, 42, 45, 54. 



Iridescent effect through coloured, 25, 26. 

 should not imitate paintings, they look like transparent blinds, 25. 

 works of Greece, Theophilus mentions, 27. 

 Gold, in combination, 117. 



yellow, and orange, Much, in a pattern disagreeable, 107. 

 a good ground for coloured mosaics, 107. 

 grounds, Good effect of, 107. 

 a profusion of, looks heavy, 107. 

 too much used by the French, 1 07. 

 Good and bad in the same designs, 325. 

 Gothic. Italian, 349. 



Grammars written long after the language was understood, 6, 179. 

 Granite at Beni Hassan. Stone painted to imitate, 276. 

 Grass. Theory on colour derived from the postion of, 11, 12, 13. 

 Greece. Art reached its zenith in, 184. 



divers colours, and glass cups, glazing pottery, and glass works of, 

 Theophilus mentions, 27. 

 Greek composite capital the Corinthian, 299, 300, 301. 



bas-reliefs varied in colour at different periods, 275. 

 buildings not copied exactly from natural objects, 217. 

 portico, not always suited to modern houses, 329. 

 houses in a northern climate, 330. 



statues and architecture may be admired without any Pagan predilec- 

 tions, 392. 

 early profiles had the eye in front, 284. 

 models to be studied, but not blindly imitated, 235, 240. 

 and Roman fables too much adopted by us, 235. 

 Greeks used blue, red and yellow, or gold, 96. 

 gradual formation of their style, 353. 

 used green sparingly, 17. 



red, blue, yellow, or gold, black, and purple, and some green and 

 white, 17. 

 borrowed from styles of older people, 209. 

 were not subject to conventional rules, 209. 

 improved on what they borrowed, 186, 353. 



