INDEX. 399 



Greeks used primary colours, 275. 



Taste of the, not always correct, 180. 



their coloured designs, 153. 



preferred full face to profile for painting, 276. 



Supposed inventions of the, 299. 



their legends not the only nor the best subjects for high art, 233, 234, 235. 



had picture galleries, 27. 



combining the forms of several beautiful women to make a perfect 



model, a Roman idea, 187. 

 Taste of, sometimes faulty, 239. 



good copies of their vases, objected to by tasteless purchasers because 

 decorated with figures, 1 79. 

 Green, 13, 16, 63, 73, 87, 124, 142. 

 in combination, 63, 124, 142. 

 and bird's egg, or blue, 105 (note), 

 gives brightness to design, 63, 166. 

 by candlelight, improves (not so blue), 16. 



candlelight, 17, 105, 106, 111, 125. 

 dark, looks darker by candlelight, 111. 



use of, 131. 

 glaucous, 166. 



and gold, different effect of, with blue and with red, 62, 74. 

 used sparingly by the Greeks, 17. 

 in grounds, 15, 156, 157, 166. 

 Hues of, 87, 124. 



Certain hues of, as tea-green, may cover a whole wall, 97. 

 of nature, gives repose to the eye, 16. 



when copied in a landscape, often changed by artists into the 

 brown of autumn, 13. 

 A greater quantity of, introduced in later times by the Egyptians, 17, 95. 



used by people when taste declines, 16, 166. 

 appears of greater quantity than it is, 63. 

 introduced in quantity into our churches at a later time, 24. 

 The quantity of, in nature not bearable in ornamentation, 13, 16. 

 One kind of, suited for pictures, 97, 105, 226. 

 Theory of, from its position in nature, 12, 13. 

 Tea, in combination, 125. 

 subdues red, 97. 



deadens, and pale blue sets off, red, 62, 75. 

 softens the effect of red hair, 62. 

 Grey, 71, 89, 126, 144. 



in combination, 26, 145. 

 Ground for coloured mosaics, Gold a good, 107. 



A bright colour for a, not always necessary, 149. 

 A dark colour on a, of light tone, 150. 

 Red on a white, 149. 

 Grounds, Colours in, 101, 106. 

 suited for, 107. 

 of painted glass windows, 38, 39. 

 for colours, 149. 

 Gudulc, St., at Brussels. Windows of, 94. 



Halicarnassus marbles, 185 (note). 



Hand, Accurate use of the, not the only requisite, 198. 



and foot may be equally beautiful, though unlike each other, 331. 

 Hangings of a room, 110. 

 Harmony by analogy, 75, 112, 113. 

 of colour, 59, 74. 



