INDEX. 401 



Landscape-painting, Eage for, 325. 



Importance not attached to, by the early masters, 17. 

 Language to be understood before the grammar is written, 6. 

 Lasteyrie's work on glass, 53. 



Laws for arrangement of ornament, when to be established, 7. 

 Lead-line of glass windows, 40, 51. 

 Lens of glass, Ancient, 30 (note). 

 Leonardo da Vinci on colours, 67, 74. 

 Lilac in combination, 123, 142. 

 Line in drawing, Importance of the, 197. 



gives an apparent increase of height, 262. 



Unbroken grandeur of a, 340. 

 Lines, Flowing, 219. 

 Limoges enamels, Origin of the, 33. 

 London buildings of good style, 347. 

 Luca della Robbia, 214. 

 Ludius, Frescoes of, 272. 



Lysicrates, Imitation of the choragic monument of, 338. 

 Lysippus, Age of, 184. 



malachite, for furniture, 219. 



Marlborough House, 177, 192. 



Maori wood carving, 220. 



Marathon and Salamis not represented in sculpture. Battles of, 210. 



Marbles of Halicarnassus an interesting link in the history of Greek art, 



185 (note). 

 Materials, Adaptability of, 215. 

 Maroon, 123. 



Medallion windows, 38, 46. 

 Mediaeval objects imitated, 237. 

 Memory substituted for observation, 7. 

 Minuteness of finish to be avoided, 269. 



or high finish, not the highest merit in art, 328. 

 Minton and others, 172. 



Monreale, S. Paolo, and Padua, Colossal figures on ceilings of, 241. 

 Monuments, Treatment of funereal, 241, 243. 



in Westminster Abbey, 246. 

 Monumental designs of English and foreigners, 354. 

 Mosaic pavements, with dull red and green, 105. 

 Mosaics, perhaps first from Asia, 314. 



of Greek time, 313, 314. 



Mr. Digby Wyatt's, 152. 



of Damascus and Italy, 22. 



Gold good ground for coloured, 107. 



of S. Apollinare better than those of St. Mark's, 27 (note). 



in old time often limited in colour, 105. 

 floors and ceilings, 30. 



Glass, at Kome, 30. 



of glass, 30, 35, 36, 37, 51, 52. 

 Ravenna, 314, 315. 



at Rome and other places, 30, 314, 315. 

 Motive, A double, rarely tolerable, 337. 

 Munich, Glyptothek of, 348. 

 Museums closed on Sunday, the only day of leisure to the working classes, 194. 



The want of, in manufacturing and other towns, a great evil, 192. 

 Murillo's Madonnas, 247. 



National Gallery, Our, an instance of design injured by interference and after- 

 thought, 354 (note). 



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