402 INDEX. 



Natural and conventional objects in a design, a fault. Union of, 261. 



Objects in imitation of, for ornaments, 215, 216, 224, 228. 

 not to be copied literally, 208. 



Reaction in favour of the, 17. 



colour of stone in buildings, 14. 



colours, sounds, forms, and scents, not all equally pleasing, 20. 



gift, Perception of colour, a, 2, 3, 25, 55. 



taste of man in colour, 20. 

 Nature, Admiration of, 18. 



arrangement of colour from, Erroneous to look for, 15, 



and art, 14. 



Colours of, in landscape -painting and in ornamentation, under different 

 conditions, 18. 



Fondess for imitating, 14. 

 Nature's works not all equally harmonious, 19, 20. 

 Neutralising each other, Colours, 8, 63. 



Notes, 9, 19. 

 effect of colours, 63. 

 New things instead of good things, 218. 

 Newton, Accidental colours mentioned by, 72. 

 Newton's experiments respecting the primary colours and light, 5, 10. 



proportions of colour in the rainbow, 10J 65. 

 Nicola Pisano, 200. 



Nimbus given to Herod and others, 309. 

 Novelty not the proper recommendation, 217, 218. 



Obelisk, Use of the, 239, 244. 

 Obelisks, Depressed points of our, 338, 339. 

 at Rome, disfigured, 244, 339. 

 on balls, 355. 

 Objects copied for a purpose quite different, 230. 

 Obliqua? imagines, 276. 



One mind should design a whole building, 337. 

 Oneness of design. Importance of, 347. 



Opportunities of seeing the beautiful necessary to its appreciation, 193. 

 Orange, The tone of, 130. 

 requires black, 148. 

 in combination, 117, 137, 138. 

 Oriental fabrics, in early times, the best in colour, 20. 

 Ornament, Luxury of, proclaims degeneracy of art, 181. 

 English not deficient in love for, 356. 

 Love of the peasant for, 356. 

 Superabundance of, 343. 

 Ornamental work and sculpture have different conditions, 224. 

 Ornamentation, Variety of, depends on circumstances, 331. 

 Ornaments not to cover a whole wall, 109. 



Faulty union of different, 261, 262. 

 Proper choice of, 228. 

 Owen Jones, Mr., on copying ornaments from nature, 216, 227. 

 his " Grammar of Ornament," 1 53. 



Pa (or Ba) and Ma, origin of father and mother, 7 (note). 



Pactum, Temple of Neptune at, 340. 



Pagan emblems too much used, 234, 235, 243. 



Painted details of architecture, 273. 



bas-reliefs, 274, 275. 



sculpture, 273. 

 Painting a copy of nature, not so a building, 18. 



on glass (*ee Glass and Windows ; sec Translucid). 



