INDEX. 403 



Paintings on canvas or panel not to be subject to the general ornamentation of 

 a building, 26. 

 Colour of a paper suitable for, 270. 

 The best place for, is a picture gallery, 271. 

 not to be mere ornaments, 286. 

 and statues in the same room, as at Florence, 270. 

 The most exalted subjects of, generally, but not necessarily, religious 



319, 320. 

 Judgment passed on, and choice of, in England, 247. 

 Some subjects of ancient, 272, 273. 

 Palissy ware, 213. 



Panes of glass, large and small, 237. 



Pantheon at Rome, Want of correspondence of lines on the exterior of, 348. 

 Paper of rooms for pictures, 270. 



for writing or printing, of different colours, 160, 164. 

 of a wall not to have the pattern cut through, 264. 

 Parabola, The mark hit without any knowledge of the curve of a, 6. 

 Parapet-walls of roofs, to catch snow, 345. 



Roofs hidden behind, 354. 

 Parrot, Voice of the, natural but disagreeahle, 20. 

 Parthenon, Figures of the, 287. 

 Parts put together to form a whole, 230. 

 Patents, Our mode of paying for, is a tax on ingenuity, 188. 

 Patronage a great encourager of art, 322. 

 Patterns not to be cut through on a carpet or wall-paper, 264. 

 on wall-papei - s not suited for pictures, 105. 

 carpets (.«ee Carpets), 20. 

 Peasant, English, his love for ornament, 356. 

 Peach colour on carpets and glass, 122. 



in combination, 122. 

 Pediment, broken, 348, 352. 



thrust up from the sides, Central portion of a, 349. 

 Pencil, Necessity of the use of the, 187, 198. 

 Perigueux, St. Front at, 33. 

 Perpendicular and other styles, Origin of, 332, 333. 



style, 331, 332. 

 Persian carpets, 110. 

 designs, 157. 

 Phidias (and Pericles), Age of, 185. 



Phoenician types in different countries, in Egypt, Assyria, Etruria. and Greece, 303. 

 Pictures, Colours in, and in ornamentation, 76, 77. 

 Red and green suited to, 67, 105. 

 Many good judges of, not artists, 357. 

 Mode of hanging, 265. 

 on materials ill suited to them, 209, 211. 

 Large, and small medallion-, 286, 288. 

 on walls, 271. 

 Piece, and small pattern. Different effect of the, 107. 

 Pilasters, Injudicious use of, 341, 342. 

 Pimikothek of Munich, Colours of, 22. 

 Pink, better alone, and trimmings for, 106, 112. 



in combination, 121. 

 Plateaux and other silver ornaments, 228. 

 Plaies, Landscapes and other paintings on, 213. 

 Pompeian models, 173. 



askos, copied for a claret jug, 260. 

 Porphyry and serpentine in mosaics, 105. 

 Portrait-painting, Encouragement given to, 322, 323. 



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