OPPIAN 



Xjoewo 8e GKoneXov fxev avdvreos rjhk TrdyoLO 42£ 

 aeveadai vpodeovra TvoScoKca <f>vXa AaycDcDv, 

 rrpos he Karavra ao(j)fjai 7Tpo[j,r]d€L7]crLV iXavvetv 

 avTLKa yap aKvXaKas re Kal dvepas ddprjaavres 

 TTpos X6(j)ov IdvvovaLV eTTel p,dXa yiyvojaKovaiv, 

 OTTL Trdpoidev eaoLv 6Xil,6repoi irohes avrdls- 43C 



TovveKa jOT^tStot TTTCOKearai TreXovai KoXoJvai, 

 pTjtBioL TTTCOKeaai,, Svadvrees iTnreXdrriai. 

 vai fMTjv drpaTTLTolo TroXvam^lrjv dXeeivetv 

 Kal ndrov, ev S' dpa Tfjai yea)ixopir^aLv iXavvetv 

 Kov(f)6T€poL yap eaac rpi^co Kal TToaalv eXa^pol 43jB 

 peZd T eTTidpojaKovdLV dprjpofjievrj S' ivl yalrj 

 KaL depeos ^apvdovcn vroSes" Kal ^eipiaros ^pj] 

 o-Xpi-S e7na(f)vpicov oXorjv KprjTrZha <j)epovaLV. 



"Hv TTor^ eXfjs SopKov Se, <j)vXdaaeo fjirj p,erd 



TToXXoV 



e/craStov SoAt^dt' re Spofiov Kai repjxa ttovolo 44(; 



rvrdov VTroaraiT], Xayovcov 8' aTrd p.'qhea X^^' 

 SopKOL yap TTepiaXXa Spopbois evl pLeaaarioicri 

 KvarlSa KVjJialvovaLv, dvayKaioiaiv vtt op^^poLS 

 Bpidofievot Xayovas, ttoti S' lax^ov oKXdl^ovaiv 

 7]v 8' oXiyov TTvevawai 'noXva<j)apdycov diro Xaip.(2)v, 44 

 TToXXov dpeiorepoi XanfjTjporepoi re (f)eBovrai, 

 yovvaaLV eix^oproicTL Kal eyKaai KovcjyorepoLai,. 

 KepSco 8' ovre Xoxocaiv dAcucri/xos' ovre ^poxpiOLV 



" Xen. C. 5. 17 diova /xaXtcra fiev to. dvavrri ... ret 5^ 

 Karavrrj ^Kicrra. 



* Xen. C. 5. 30 aKeXr/ rot ?nri.ffdev fxei^u ttoXi) tQv Ifiwpoffdev. 



' Xen. C, 8. 8 raxi) yo-P aTrayopevei Slo, to ^ddos ttjs x'^**"* 

 Kal did, TO KO-Tuidev tCiv Tro8Qi> Xaaiiav 6i>t(i>v 7rpO(rexe(r^ai avTi{> 

 6yKoy irokvv. 



** i.e. their feet are caked with mud. The metaphor is 



196 



