S4 Continuation of the State of 



garet, when children, now in the china- 

 clofet at Windlbr, was done by him. A 

 neat little copy of, or rather his original de- 

 fign for it, in black and white oil-colours is 

 at the Duke of Leeds's at Kiveton.* San- 

 drart fpeaks of the pidlures of two noble 

 youths drawn by him at Whitehall. Over 

 one of the doors in the King's anti-chamber 

 at St. Jam.es's is his picture of Adam and 

 Eve, which formerly hung in the gallery at 

 Whitehall, thence called the Adam and 

 Eve gallery. ■\ Martin Papenbroech, for- 



* There is another of thefe in fmall in queen Caro- 

 line's clofet at Kenfington, another, very good, at Wil- 

 ton^ and another in Mr. Methuen's colle6lion. One of 

 thefe pidures, I do not know which of them, was fold 

 out of the royal colledion, during the civil war, for ten 

 pounds. The pidlure that was at Kiveton is now in 

 London, and is not entirely black and white, but the 

 carnations are pale, and all the Ihadows tinged with 

 pure black ; but that was the manner of painting at the 

 time ; blues, reds greens and yellows not being blended 

 in the gradations. 



: f Evelyn in the preface to his idea of the perfeftion 

 of painting, mentions this pidlure, painted, as he calls 

 him, by Malvagius, and objefts to the abfurdity of re- 

 l^refenting Adam and Eve with navels, and a fountain 

 v«'ith carved imagery in Paradife — the latter remark is 

 ju(l;\^e former is only worthy of a critical man-raid- 



^'' * ^ merly 



