470 



ON FORM IN TREE SCENERY. 



the tameness and monotony often met with in English 

 plantations. I can well understand the reasons for, and 

 have often admired the effect of, large masses of any one 



Fig. 4. 



of these forms being thrown together under special cir- 

 cumstances. Further, nothing can be more correct or 

 beautiful than a group or groups composed of any one 

 of these when judiciously placed, and rising in harmony 



