158 BIBLIOTHECA PISCATORIA. 



1. The angler's progress. See BOAZ ( H.) 



2. The fisher's gar'and for 1821. This was the joint production of 

 Robert Roxby and Thomas Doubleday. It originally appeared 

 as a broadside', printed by John Booth, Newcastle, 1821, headed 

 by the woodcut used at p. 24. of Bewick's "^Esop's fables," 

 1818, and is signed R. R. Emerson Charnley reprinted 200 

 copies, with woodcut on title from " Select fables," 1820. 

 (p. 148), dating them 1821, though they were printed in December 

 1823. 



3. Tyne side, 1822. Written by William Gill Thompson, revised 

 and improved by the Rev. Henry Cotes, Vicar of Bedlington. 

 291 copies were printed for Emerson Charnley in June, 1824, but 

 dated 1822, with woodcut on title containing a view of St. 

 Nicholas' Steeple, and the old castle of Newcastle-on-Tyne in 

 the distance. 



4. Coquet side, 1823. The joint production of Robert Roxby and 

 Thomas Doubleday. First appeared as a broadside without 

 printer's name, entitled " Coquet-side, or the Fisher's Garland 

 for 1823, Newcastle," and signed R. R. Also, in a similar form, 

 entitled, " The angler's song in praise of the Coquet;" printed 

 by P. Blair, Newgate-street, Morpeth, and headed by a Bacchan- 

 alian woodcut, inscribed '* Angler's Inn, Weldon Bridge," with 

 another woodcut at the foot. 196 copies were printed for 

 Emerson Charnley, December 2Oth 1823, with woodcut on title 

 from "Select Fables," 1820, p. 42. 



5. The auld fisher's welcome to Coquet-side. 1824. The joint 

 production of Robert Roxby and Thomas Doubleday. 304 

 copies were printed, March 25th 1824, for Charnley, with wood- 

 cut on title, of a man angling, designed and engraved by Isaac 

 Nicholson. This block appears in Bohn's " Walton," 1856, 

 p. 177, andin Hofland's " Angler's manual," 1848, p. 319, as the 

 work of Bewick. 



6. The Tyne fisher's farewell to his favourite stream on the 

 approach of winter. First sketched out by the Rev. Henry 

 Cotes, Vicar of Bedlington, and completed by William Gill 

 Thompson. 290 copies were printed for Charnley, April 12, 



1825, with woodcut on title, of a winter scene designed by 

 William Collard and engraved by Isaac Nicholson. Twelve 

 copies were subsequently reprinted by Charnley's successor to 

 complete sets, with woodcut on title of an angler wading, with 

 rod and landing net. 



7. The auld fisher's farewell to Coquet. 1825. Signed R. R. The 

 joint production of Roxby and Doubleday. 290 copies were 

 printed for Charnley, March 26, 1825, with woodcut on title of a 

 landscape, with angler " plugged in," by Isaac Nicholson. 



8. The Coquet for ever. 1826. Signed R'. R. Written by Roxby 

 and Doubleday. 400 copies were printed for Charnley, Apl. 15, 



1826, with woodcut on title copied by Nicholson from a vignette 

 by Bewick, ( he " was annoyed at the liberty,") in " British 

 Birds," 1805, vol. ii. p. 52. 



9. The fisher's call. 1827. Signed W. G. By William Greene. 

 Seven of the verses were first published in 'the " Newcastle 

 magazine " for May, 1822, signed " Izaak Walton, the younger." 



