O F M A N H O O D. 449 



In contempt and derifion, one corner of the 

 iipper-lip rifes, and leaves the teeth bare ; the 

 other corner moves a little, and has the appear- 

 ance of a malignant fmile j the noftril next the 

 elevated fide of the lip flirivels up, and the angle 

 of the mouth falls down. The eye on the fame 

 fide is almoft fliut, v^'hile the other remains o- 

 pen ; and both pupils are deprefled in the fame 

 manner as when a perfon looks down from a 

 height. (See plate X. fig. 3.) 



In jealoufy, envy, and malice, the eye-browns 

 fall down and are wrinkled ; the eye-licis rife, 

 and the pupils fall down ; the upper lip is ele- 

 vated on both fides ; the angles of the mouth 

 fink a little, and the middle of the under-lip 

 rifes and joins the middle of the upper one, 

 (See plate X. fig. 4.) 



In laughing, the angles of the mouth are 

 drawn back, and fomewhai elevated ; the upper 

 part of the cheeks rife ; the eyes are more or 

 lefs fhut ; the upper lip rifes and the under one 

 finks ; the mouth opens ; and, when the laugh- 

 ter is immoderate, the fkinof the nofe wrinkles, 

 (See plate X. fig. 5.) 



Bcfide thefe marks, the arms, the hands, and 

 the whole body, contribute to the exprclhon of 

 the paffions. Gefture alio concurs with the ac- 

 tion of the features in cxprefling the diflerent 

 emotions of the foul. In joy, for example, the 

 eyes, the head, the arms, and whole body, are 

 agitated with quick and various movements. In 

 Vol. II. V f Janeruor 



