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and irregularities of the respiration, increasing or 

 lowering of the pulse-beat, certain glands secreting 

 whilst others dry up. Thus he generalises on the 

 more special and detailed records of Darwin and 

 Mantagazza. 



Before leaving a description of the human face 

 animated by Hatred, we must not omit to draw 

 attention to the researches of the brilliant Canadian 

 sculptor, Tait Mackenzie, now Professor of Physical 

 Culture at the University of Pennsylvania. He 

 had made a profound study of the expression of 

 the emotions in violent exercise, partly from 

 photographs, but largely by personal observation. 

 His skill as a sculptor has enabled him to prepare 

 a series of masks of the face showing the various 

 stages of exhaustion or fatigue which accompany 

 violent physical exercise. We need only deal 

 with one such mask, that of a competitor, just at 

 the finish of what in America is called " a hundred 

 yards dash/' If we study a mask of some student 

 who is just at the end of a " dash " we shall find 

 that in his face there is a general convergence of 

 the lines to the root of the nose, the frowning 

 brows are drawn down and the eyes closed to 

 the merest slits. The crow's feet at the outer 

 angle of the eye are developed to a degree quite 



