PHONATION; ARTICULATE SPEECH 



679 



THE MECHANISM OF PHONATION 



Phonation, the production of vocal sounds, is the result of the vibration 

 of the vocal bands giving rise to a laryngeal sound modified by overtones 

 developed in the mouth. That a sound may arise it is essential that the 

 glottis be approximately closed and the vocal bands be made more or less 

 tense. 



The closure of the glottis the approximation of the vocal processes and 

 the vocal bands is accomplished, it will be recalled, by the contraction 

 of the lateral crico-arytenoid, the arytenoid, and the thyro-arytenoid muscles. 

 The increase in tension is accomplished by the contraction of the crico-thyroid 

 and the thyro-arytenoid muscles, the former by the backward displacement 

 of the cricoid and arytenoid cartilages, the latter by converting the natural 

 concave edge of the vocal band to a straight line. The lengthening and tens- 

 ing of the vocal bands by the crico-thyroid muscle is regarded by some inves- 

 igators as a coarse means, the approximation of the free edges by the thyro- 

 arytenoid, as a finer means, of adjustment for the producton of slight changes 

 in the pitch of sounds. The extent to which the glottis is closed and the 

 membranes tensed will depend, however, on the pitch of the sound to be 



FIG. 277. POSITION or THE VOCAL 

 BANDS PREVIOUS TO THE EMISSION OF A 

 SOUND, b. Epiglottis, rs. False vocal 

 band. ri. True vocal band. ar. Ary- 

 tenoid cartilages. (Mandl.) 



FIG. 278. POSITION OF THE VOCAL 

 BANDS IN THE PRODUCTION OF NOTES 

 OF Low PITCH. /. Epiglottis, or. Glottis. 

 ns. False vocal cord. ni. True vocal cord. 

 ar. Arytenoid cartilages. {Mandl.} 



emitted. The appearance presented by the glottis just previous to the emis- 

 sion of a note of medium pitch, as determined by laryngologic examination, is 

 shown in Fig. 277. When the foregoing conditions in the glottis are realized, 

 the air stored or collected in the lungs is forced by the contraction of 

 the expiratory muscles, through the narrow space between the bands. 

 As a result of the resistance offered by this narrow outlet and the 

 force of the expiratory muscles the air within the lungs and trachea is 

 subjected to pressure, and as soon as the pressure attains a certain level 

 the vocal bands are thrown into vibrations, which in turn impart to the 

 column of air in the upper air-passages a corresponding series of vibrations by 

 which the laryngeal vibrations are reinforced. The degree of pressure to 

 which the air in the lungs and trachea is subjected was determined by Latour 

 to vary from 160 mm. of water for sounds of moderate, to 940 mm. of water 

 for sounds of highest intensity. With the escape of the air or the separation 

 of the vocal bands the vibration ceases and the sound dies away. 



The Characteristics of Vocal Sounds. In common with the sounds 

 produced by other music instruments, all vocal sounds are characterized 

 by intensity, pitch and quality, tone or color. 



