DiiKSMOREj 



CHlPtEWA MUSIC 



Melodic Analysis — Continued 

 TONE MATERIAL" 



BEGINNINGS OF SONGS 



On the 

 On the 

 On the 

 On tlie 

 On the 

 On the 

 On the 

 On the 

 On the 

 On the 

 On the 

 On the 

 1ji two 



twelfth.. 



fifth 



eleventh, 

 fourth... 



tenth 



third . . . . 



ninth 



second... 

 octave. . . 

 seventh.. 



sixth 



tonic 



keys 



Total.... 



a Many songs included in this classification con.sist of tones which are not clearly referable to a tonic or 

 keynote. The songs are grouped according to the tone material which they contain. Thus, if a melody 

 contains F sharp and C sharp, begins on A and ends on D, it is, in this classification, regarded as being in 

 the key of I). 



Certain melodies readily conform to the three principal chords of a key; other melodies containing Ihe 

 same tones have no alliliation for either the principal chords or the closing cadence of tlie key. This pecu- 

 liarity is noted in the analysis of tlie song. 



