KuRATH] IROQUOIS MUSIC AND DANCE 



analysis issues directly from the artistic patterns, but the interpre- 

 tation takes into account the function and ceremonial associations. 

 The descriptions of dance cycles fit all longhouses, though the 

 examples refer to the Coldspring song collection. The analyses, when 

 not identified as Coldspring or Tonawanda, also apply to both collec- 

 tions or generally to longhouse style. 



