II^DEX 



[Note. — In instances in which only a few songs of 

 these are of special importance, the numbers of such 



For a list of the songs contained in this ■volume, 



333-334.] 



Page 



Accents, character of 15 



Accidentals— 



containing si.\th lowered a semitone, 

 songs Nos. 7, 8, 19, 22, 41, 101, 156, 160. 



occurrence of 6 



tabular analysis 23 



A'jide'gijIg, reference to 252 



A'KIWfiN'ZI— 



on the war badge 86 



reference to 60 



Animals— 



as features of dreams 199,201,202,203 



form of bear assumed by manido' 207 



songs connected with 16, 100, 101 



songs Nos. *1, 8, 23, *34, *41,*58,*60, 

 *66, *67, *68, *69, 82, *85, *88, *89, 94, 

 95, 96, *96, 97, 98, 99, *109, 114, 115, 

 *1]9, 123, 124, 139, 146, 179, 180, *196, 

 *197. 

 AsABA, songs of the 7 



ASSINIBOIN— 



begging dance songs derived from 228 



reference to 205 



AUSTRALLAN ABORIGINES, SOngS of 7 



AwON'AKCM'iGiCKOS', sketch of 252 



Bad River Chippewa— 



on origin of drum 144 



reference to 143 



Baker, Dr. Theodor, analysis of Indian 



songs by 5 



Banner, use in warfare 91, 107 



Baraga, on term manido' 143 



Barrett, S. A., cited as an authority 142 



Barth and Roger, on rhythm of adult heart 10 



Beau, on rhythm of adult heart 10 



Beaulieu, Rev. C. H.— 



acknowledgment to v 



reference to 42 



Bee marten. Sec Kingbird. 

 Begging dance songs— 



description 47-48 



Lac du F lambeau Reservation 228-233 



resemlilances to other song groups 56 



rhythmic units 329 



Beginnings of songs— 



beginning and ending on same tone — 



on fifth song No. 112. 



on tonic, .songs Nos. 53, 125, 127, *132, 

 *142, *149, *150, *170, *174, *197. 



a certain kind are found in Bulletin 45, or in which 

 songs are given below, each preceded by an (*). 



see pages xi-xix, and of the authorities cited, pages 



Page 



Beginnings of songs— Continued. 



beginning major, ending minor songs 



Nos. 67, *189. 



beginning minor, ending major song 



No. *192. 



by parts of measures 28 



with upward progressions of an octave. . . 



songs Nos. 9,31,53, 125, *170,*1 74. 



Bellabella song, reference to 12 



BicA'GANAB, story of 131 



Bl'jIKfiNS— 



in Drum-presentation Ceremony 166, 



168,170,171 



reference to 145 



BimidjIg'amag Band of Chippewa, reference 



to 222 



BI'nIcons', reference to 127 



Birds - 



connected with medicine poles 249-250 



imitated in dance 295 



songs connected with 16-17 



songs Nos. *3, 6, 20, 28, 85, 87, *S8, 54, 

 *96, *119, *121, *12S, *135, 141, 142, 

 147, 1,53. 

 Bi'TAWAGi'.nGO'KWE. See Gauthier. 

 Boas, Franz, cited as authority on Kwakiutl 



music 9 



Boy, Chippewa -WARRIOR. Scf Gwi'wizans. 



Breath, control of 15 



BO'gonegi'jig. See Ilole-in-the-day. 

 Butterfly, reference to 179 



Ca'gobEns, reference to 127 



Carl, John W.— 



incident related by 130-131 



references to 83, 303 



Ca'wOno'ga dance, description of 129 



See also Southern dance songs. 

 Chippewa and Sioux music, rhythmic cor- 

 respondence of 11 



Chippewa language, words incorporated 



with 76, 186, 190, 230 



Chippewa songs— 



analysis of 340 songs — 



group analysis 18-33 



tal)ular analysis 34-58 



connection between idea and musical 



form 50 



general nature 17 



manner of rendition 13-15 



335 



