Bounerjea] 



INDEX TO BULLETINS 1-100 



401 



JSomatology 



anatomy, physiology, pathology, 



63: 140 

 anthropometrical data, 63: 139 f. 

 osteology, 63: 139 

 resumes, 63: 141 

 sources of, 63: 138-141 

 stature, 63: 138 f. 

 See also Physical appearance; 

 Physical type; Relations; and 

 terms belonging to physical an- 

 thropology. 

 Somerville College (Oxford, England), 



i-esearch fellowship of, 55: 1 

 Somis, a source of California place 



name, 78: 897 

 Somme River named by Ribault, 73: 



48 

 Son, The only, and the rabbit. Creek 



story, 88 : 17 ff. 

 Sona, a Cusabo province, 73 : 37 

 Sona-nga, a Gabrielino place name, 



78: 621 

 Sonants, definition of, 40, pt. 1 : 21 

 Sonapasqui, see Sona. 

 Sonclms oleraceus, use of, 97: 24 

 Sonepdh, an Indian nation, 43: 32 f. 

 Sone-to, 78: 356 

 Song 



and ejaculation, combination of, 



45: 45 

 Cochiti tale of the crow's, 98: 



151 f . 

 Hawaiian attitude toward, 38: 



159 

 of the night bird, 79 : 53 

 power of, to calm storms, 29: 25 

 See also Hawaiian song; Slovak 

 songs ; Songs 

 Song cycles 



and dreaming cult, California In- 

 dian, 7$: 367, 599, 626, 657-660, 

 707, 715, 746, 748, 754-778, 783- 

 788, 855-859 

 Diegueno, 97: 64 

 Kamia, 97: 62 ff. 

 Song groups, resemblances between, 



53: 50-58 

 Songish language, works in, 16: 65 

 Songs 



ailments cured by, 90: 88 

 apropos of Nihi-aumoe, 38: 94 

 as personal possessions, 80: 53, 



54 

 at Pawnee grave, 83 : 80 

 at the first hula, 38: 8 

 beginning and ending of, 80 : 27 

 characteristics of, 80: 14, 32, 33 

 common form of Chippewa songs, 



45: 151 

 comparison of, with others, 90: 



11-15 

 composed by Kamehameha II, 38 : 



69 

 connected with dancing, 97: 63 

 connected with eagle catching, 

 80: 32, 70-80 



Songs — Continued 



connected with sacred pack, 85: 



61, 63, 83, 87, 89 

 dancing, 85: 63, 113, 150-153 

 divisions of, 38: 58 

 eating, 85: 155 

 epithalamium, for the hula ki'i, 



38: 101 

 explanation of, 87: 55 

 for interlude, 38: 130 

 for the hula, 30: 



ala'a-papa, 59, 60, 61, 62, 64, 



66, 67, 69, 70, 71 

 hoonana, 245 

 IlilU, 120 

 iUo, 225 



kaekeeke, 123, 125 

 ka-laau, 117, 118 

 kielei, 211 



ki'i, 95, 96, 97, 98, 99, 102 

 kilu, 237, 238, 239, 241, 242, 243 

 kolani, 217 

 kolea, 220 

 ku'i, 252, 253 

 ku'i Molokai, 208, 209 

 man6, 222 

 mu'umu'u, 214 

 niau-kani, 133 

 ohe, 136 

 ohelo, 234 

 o-niu, 249 



pahu, 103, 104, 105, 106 

 pa-hua, 184 

 pa-ipu, 75, 76, 78, SO, 81, 83, 84, 



86, 89 

 pa'i-umauma, 203, 204, 206 

 Pele, 154, 188, 189, 191, 192, 



193, 194, 195, 198, 200, 201 

 pua'a, 230 

 puili, 114, 115 

 uHli, 247 

 lili-uli, 109, 111 

 for the treatment of the sick, 83: 



33; 90: 39 

 from supernatural beings, 80: 12 

 from the hula pa'i-umaimia, music 



IV, 38: 153 

 from the ocean, 90: 39 

 general description of, Chippewa, 

 45: 



intonation, 4 f, 

 introduction, 1-4 

 rhythm, 5 f. 

 structure, 8 

 tone material, 7 f. 

 gens festival and wailing, 95: 15^ 



176 

 gens festival, similarity of, 87: 8 

 import of, 85 : 124 

 important events celebrated by, 



45: 1 

 in ceremony, 89: 15-19, 41, 47 f£. 

 in mythic gens festival, 87 : 72, 73, 



75, 81, 82 

 in ritualistic origin myth, 87: 86- 

 91 



