442 



BUREAU OF AMERICAN ETHNOLOGY 



[BulL 178 



Tomocas 



territory claimed by, 73: 180 

 See also Tiinucua. 

 TomocMchi 



chief of the Yamacraw, 73 : 109 

 reference to, 73: 15 

 Tomoco, English name for Timucua, 



43: 33 

 Tomo<3ka 



an Indian nation, 43: 32 f. 

 a Tawasa town, 73 : 131 

 synonym for Timucua, 73: 131 

 Tompkinsville, caves in vicinity of, 



76: 121 

 Tomsobe, a Calusa town, 73: 332 

 Tonacaciuatl, Mexican creation god- 

 dess, 28: 286 

 Tonacatecutli, Mexican creation god, 



28: 286 

 Tonachic, 44: 4 

 Tonalamatl (time period) 

 as horoscope, 28 : 532 

 Central American, paper on, by 



Forstemann, 28: 525-533 

 graphic representation, 57: 93 

 interpretation of, 57: 254-266 

 Maya, divisions of, 28: 527 

 Maya, name of, 28 : 14 

 Maya, origin of, 28 : 494 

 Mexican time period, 28: 14, 134 

 nature of, 57: 41^4, 265 

 referred by Zapotecs to cardinal 



points, 28: 267 

 relation of, to zero sign, 57: 93 f. 

 represented in Aubin-Goupil col- 

 lection, 28: 64 

 starting point, 57 : 252 f . 

 subdivisions of, 57: 44 

 texts recording, 57: 251-266 

 texts recording, essential parts of, 



57: 265 

 used in codices, 57: 251-266 

 used in divination, 57: 251 

 use of glyphs for "20" with, 57: 



92, 130, 254, 260, 263 

 wheel of days, 57 : 43 

 See also Year, Sacred. 

 Tonality 



consideration of, 61: 41 

 definition of, 61: 12, 26, 40; 75: 



30 

 diagram illustrating, 61: 40 

 dream songs. White Earth Reserva- 

 tion, 45: 136 

 general discussion of, 45: 7 f. 

 love songs. Red Lake Reservation, 



45: 185 

 love songs. White Earth Reserva- 

 tion, 45: 155 

 major, in various song groups, 



53: 35 



major, minor third prominent, 53: 



Songs Nos. 140, 141, 151, 161, 163 



major and minor, 61: 40; 75: 31 



major key for plaintive melody, 



45: 183 



Tonality — Continued 



meaning of term, 53 : 3 

 Mide' songs, 45: 115 

 minor, 53 : 



beginning with a major third. 

 Songs Nos. 1, 9, 34, S3, 94, 

 120 

 in woman's dance song, 46 

 semitone between 7 and 8, 



Songs Nos. 36, 79, 100, 119 

 songs containing large pro- 

 portion of major thirds, 

 Songs Nos. 29, 83, 99 

 whole tone between 7 and 8, 

 Songa Nos. 9, 19, 50, 85, 100, 

 119, 124, 126, 150 

 moccasin-game songs, Red Lake 



Reservation, 45: 191 

 moccasin-game songs. White Earth 



Reservation, 45: 159 

 tables showing, 75: 30, 73, 90, 121, 

 141, 160, 182, 194; 80: 16, 27, 

 178 

 tabular analysis, 45: 8; 53: 18; 



61: 15, 26 

 imclassified songs, Red Lake Res- 

 ervation, 45: 206 

 unclassified songs. White Earth 



Reservation, 45 : 165 

 war songs. Red Lake Reservation, 



45: 180 

 war songs. White Earth Reserva- 

 tion, 45: 146 

 woman's-dance songs. Red Lake 

 Reservation, 45: 196 

 Tonantzin, Maya goddess, 28: 48, 50, 



51 

 Tonases, 44: 48 

 Tonco, a Calusa town, 73: 332 

 TondLnunding, a Chilula village, 78: 



138 

 Tone 



falsetto favored, 61: 61 



nasal, used in love songs, 61: 61 



production, manner different from 



White man, 61 : 61 

 See also Tone material. 

 Tone material 



accented tones in Mide' songs, 45 : 



57 

 certain Mide' songs, discussion of, 



45: 75 

 diagram illustrating, 61: 44 

 diatonic tones compared with acci- 

 dentals, 45: 5 

 dream songs, White Earth Reserva- 

 tion, 45: 136 

 general discussion of, 45: 7 f. 

 love souss, Red Lake Reservation, 



45: 185 

 love songs. White Earth Reserva- 

 tion, 45: 155 

 moccasin-game songs. Red Lake 



Reservation, 45: 191 

 moccasin-game songs, White Earth 

 Reservation, 45: 160 



