VIII CONTENTS. 



Page> 



Ceramic groups — Continued. 



Middle Mississippi province — Continued. 



Wide-mouthed bottles or jars 398 



Form •. 398 



Ornament 399 



Illustrations 399 



Ordinary forms 399 



Eccentric forms 403 



Li fe forms 404 



High-necked bottles 411 



Form 411 



Ornament 412 



Illustrations 413 



Ordinary forms 413 



Eccentric forms 420 



Life forms 422 



Upper Mississippi province 426 



Gulf province 431 



Resume' 434 



ORIGIN AND DEVELOPMENT OF FORM AND ORNAMENT IN CERAMIC ART, BY WILLIAM 



H. HOLMES. 



Introductory 443 



Origin of form 445 



By adventition 445 



By imitation ■ 445 



By invention 450 



Modification of form 450 



By adventition 450 



By invention 452 



Origin of ornament 453 



From natural objects 454 



From artificial objects 455 



Functional features 455 



Constructional features 456 



From accidents attending construction 457 



From ideographic and pictorial subjects 457 



Modification of ornament 458 



Tlirougb material 458 



Through form 458 



Through methods of realization 459 



A STUDY OK PUEBLO POTTERY AS ILLUSTRATIVE OF ZU.NI CULTURE-GROWTH, BY 

 FRANK HAMILTON CUSHING. 



Habitations affected by environment 473 



Rectangular forms developed from circular 475 



Flat and terraced roofs developed from sloping mesa-sites 477 



Added stories for cliff-dwellings developed from limitations of cliff-house 



sites 479 



Communal pueblos- developed from congregation of cliff-house tribes 480 



Pottery affected by environment 482 



Anticipated by basketry 483 



Suggested by clay-lined basketry 485 



Influenced by local minerals 493 



Influenced by materials and methods used in burning 495 



