FEWKES] FOOD-BOWL DECORATIONS abl 
In figure 295, starting with the simple encircling band, it is found 
divided into alternating rectangles. The line is continuous, and hence 
one side of each rectangle is not complete. Both this design and its 
S22 SSS SS 
. Fia, 296—Single line; open fret 
modification in figure 296 consist of an unbroken line of equal breadth 
throughout. In the latter figure, however, the openings in the sides 
are larger or the approach to a straight lee closer. The forms are 
= _—_———_—_—_——— TT 
= 
Fia, 297—Single line; broken fret 
strictly rectangular, with no additional elements. Figure 207 intro- 
duces an important modification of the rectangular motive, consisting 
Fig. 298—Single line; parts displaced 
of a succession of lines broken at intervals, but when joined are always 
arranged at right angles. 
Possibly the least complex form of rectangular ornamentation, next 
a, ee 
Fia. 299—Open fret; attachment displaced 
to a simple bar or square, is the combination shown in figure 298, a type 
in which many changes are made in interior as well as in exterior deco- 
rations of Pueblo ware. Oue of these is shown in figure 299, where the 
Fie, 300—Simple rectangular design 
figure about the vessel is continuous. An analysis of the elements in 
figure 300 shows squares united at their angles, like the last, but that 
in addition to parallel bands connecting adjacent figures there are two 
