220 TKXTII-E ART IX ItET.ATlOX TO FORM AND ORNAMENT. 



centers and black frames set side by side. Tlie processes of siibsti- 

 tution wheie changes f)t coloi aie lequiied aie tlie same as in the 

 preceding case and tlio foiin>- of figuies ,ind the disposition of designs 

 are the same bcim; ^ovt i iicil 1)\ the same foices 



Anothei chouo puce fiom the Pima Indians of Aii/ona. is given 

 in Fig. .U2. Thelmtsot tlit oiiiament adheietxclubu el} to the direc- 

 tions imposed by the warp and the woof, the stripes of black color 

 ascending with the turns of the iillet for a short distance, then for a 

 time following the horizontal ridges, and again ascending, the com- 

 plete result being a series of zigzag rays set very close together. 

 These rays take an oblique turn to the left, and the dark figures at 

 the angles, from the necessities of construction, form rows at light 

 angles to these. A few supplementary rays are added toward the 

 margin to fill out the widening spaces. Another striking example 

 of the domination of 1('clnii(|u<' ov(>r design is illustrated in Fig. '32-i. 



Fio. :&•). Coiled basket 



from the Pin 



of Arizona — J. 



Two strongly marked, fret-like meanders encircle the vessel, the 

 elements of which are ruled exclusively by the war)» and woof, by 

 the radiate and the concentric lines of construction. This is tlie 

 M-ork of the Pima Indians of Arizona. 



