dexs.more] 



TETON SIOUX MUSIC 



197 



other, the romamdor of each phrase being individual. The melody 

 tones are those of the second fivo-toned scale. There are 52 pro- 

 gressions in the song, 37 (71 per cent) of which are major seconds. 

 Many of the accented tones were given with a peculiar attack, much 

 used by this singer, which consisted in sounding first a tone shghtly 

 above the principal tone and immediately sliding downward to that 

 tone. 



No nan-ative was given with this song. 



No. 58. "He Comes to Attack" (Catalogue No. 562) 



Sung by Charging Thunder 

 Voice J -84 

 Dkum not recorded 



9i?J 



B^ 



^± 



f=t^g= 



^ 



-^t-id-jt- 



-"-m^ 



:#: 



=9^ 



116 



^ 



:icz:p= 



i 



4 d " d d d s -^ — # 



«3= 



-^-i — I — 0\- 



84 



Wa- zi 



ya - tai] na-taij lii-na- pe lo e 



^iS 



%L 



— 17 ' ■ 1 ^ ^ — -^g—i ;■ : 1 1 r— , — — * : 



kta e - toij - wiij ye yn ijc ma-ka we - coi] na caq 



5S 



^^^'SE^^S 



SE^^ 



3=^: 



- d—d—(^ 



d-hd- 



.d d_ 



I 



te 



to - ke - ca he wa - u we he ye - lo yo yo yo 



WORDS 



wazi^•ataI] from the north 



natag^ hina'po lo lu comes to attack 



ekta' in that direction 



e'toQwig ye behold him 



maka' dust 



we'dog ' I threw upon myself 



na and 



<5agte' (with) a heart 



to'keda that is different » 



wa^u we I came 



he yelo' he said 



> In the usage of the medicine-men this phrase indicates anger. (See footnote, p. 120.) 

 4840°— Bull. 61—18 15 



