I 



DENSMOKK] TETON SIOUX MUSIC 429 



Comparatively Modern Songs — (7) War Songs (sec. 2) — Continued 



Melodic Analysis — Continued 

 ' LAST NOTE OF SONG— ITS RELATION TO COMPASS OF SONG 



Serial Nos, of songs. 



Songs in which final tone is— 



Lowest tone in song 



Immediately preceded by major third below. . . 



Immediately preceded by whole tone below 



Immediately preceded by semitone below 



Songs containing a minor third below the final tone 



Total 



6, 7, 8, 9, 22, 23, 26, 27, 29, 31, 32, 34, 35, 

 114, 115, 116, 117, 118, 119, 120, 121, 123, 

 124, 223, 224, 225, 231 



178 



28 



30 



10,33 



TONE MATERLVL 



Second five-toned scale 



Fourth five-toned scale 



Major triad and seventh 



Major triad and second 



Minor triad and fourth 



Minor triad and second 



Octave complete 



Octave complete except seventh 



Octave complete except seventh and sixth 



Octave com]ilete except seventh and fourth 



Octave complete except seventh and second 



Octave complete except sixth 



Octave complete except sixth, fifth, and second 



Octave complete except sixth and second 



Octave complet e except fom-th '.... 



Octave comjjlete except third and second 



Octave complete except second 



Total 



Serial Nos. of songs. 



23, 120 



8, 29, 225 



9 



124 



118, 119, 231 



178 



34, 114, 117, 224 



27, 32, 35, 123 



7,31,223 



26. 115 

 10 



28 

 33 

 6 



30. 116 

 22 



121 



