520 



BUREAU OF AMEKICAN KTllNOLOGY 



lULLL. 61 



(huico, which can not properly bo uicludod in former classifications. 

 Next are songs of the social dances — -the grass, shuffling-feet, and 

 night dances (Nos. 195-203); songs used bi ordinary begging, 

 distuict from requests for food accompanied with singhig of praise 

 songs (Nos. 204, 205); and songs of games (Nos. 206-213) together 

 with songs used in children's play (Nos. 215-217), and songs con- 

 nected with legends (Nos. 218, 219). In this group are also such 

 songs in honor of the \VTiter as were sung to modern tunes; these 

 are Nos. 220, 221, 222, 226, 227, 228, 220, 230. There is a small group 

 of modern love songs (Nos. 232-234). Those are followed by a group 

 of miscellaneous songs (Nos. 235-240) recorded at Sissetou, S. Dak., a 

 majority of which were probably San tee rather than Teton Sioux in 

 origin. Throe songs recorded at Sissoton (Nos. 95-97) are analyzed 

 with the Toton songs, as thoy are general hi character and may have 

 been used by botli bfa.nchcs of the tribe. 



Comparatively Modern Songs — (-i) Miscellaneous Songs 



Melodic Analysis 



TONALITY 



Numl)er 

 of songs. 



Major tonality. 

 Minor tonality. 



Total 



Serial Nos. of .songs. 



24, 25, 197, 198, 199 , 201 , 202 , 203 , 20.'; , 20 i. 



210,212,220,226,230 

 18, 195, 196, 200, 204, 207, 208, 209, 211, 



213, 214, 215, 216, 217, 218, 219, 221, 222, 



227, 228, 229, 232, 233, 234, 235, 236, 237, 



238, 239, 240 



FIRST NOTE OF SONG— ITS RELATION TO KEYNOTE 



Number ! 

 of songs. I 



Serial Nos. of songs. 



Beginning on the— 



Twelfth 



Tenth 



Ninth 



Octave 



Fifth 



Fourth 



Third 



Kej^note 



Total 



202 

 237 

 199 

 25, 195, 197, 200, 209, 210, 219, 222, 227, 



228, 229, 232, 233, 235, 236, 240 

 18, ?4, 196, 201 , 203, 208, 211 , 212, 214 , 215, 



216, 218, 220, 230 

 217 



198, 2(M, ja'), 206, 213, 226 

 207,221,234,238,239 



