16 LIST OF SONGS 
ARRANGED IN ORDER OF CATALOGUE NuUMBERS—Continued 
Cata- . 
ar No. of | Serial 
logue Title of song singer | No. Page 
772 | ‘‘Dance faster” 
ecralnie wal aefalo sieve etaimialolate wie. aiela ie leraye ptt eee 3 
Tis | peonpor Ni hing. 2 72se). 23.2 sui eee alse he eaten 3 
774.}| inal-song of Bear dance-(a) 52... 2. .<- s-/-. ec dae 3 
Pro i eearimance pone (le). so. 2250. oes ee Eee 8 
7761 4Mouble dance sone: (aye) 32). cass eae ee 8 
Vi7.|| pan dance, song (d). 22-255. ssc sn de sepa eee 8 
ht 4 | eee MOG) Neen eee Gre ee he tae ee 8 
Z79 i) Wonan’s daneewony (a)2 222 20 = aces asec aoe 8 
(Sj eearadeisong (2) cic. os . ssi. os soho we eee eet eee 21 
7e) i sSmoking BoneH(al)= 2... 2732s ose ea. Sees Scape le ae 21 
(Le exe dox(b)ecas- sec. 2 Sesh Ross samen eee oe ae 21 
FOS tis owe yee Ais. Gee oer so aerate er hee 21 
784) Selloyuhair=. o- io226 soars ee Sh Se Sere ee 
785 | Song around a rawhide.......-.-.-- Sse ac ee een 8 
7So | pum dance song. (@). fe. oo ose oe Satine. = | fe ee 12 
MOP Weir s.s COR CEs oie ial aes Ak ee ec, Ala Sane 12 
788 | Undetermined dance song (a)........-.-...----------- 14 
789 Wore 7 ae |) ee ecm RB EN, nese ee, Ook Dkr +/ 14 
OO}. eurkey dance sone.(6): tae ys ee ee ee ee aie 15 
ri) an eee (Oa 0 tee ete meen MET I eR MS eer, IFA Fy 2.'8 15 
02 Vv arnOn Dat) Seca on Sethe oa ee een Bare ee 19 
705) |earadewone (h)ioiato2 seo: Soho eC ie io Wee ea Be 19 
TOA DW aR OMNES Fehon Oecd he ee 20 
795 |...-- 5 CEL 0 Ree aega i oes EON So olaks S aR SEs 20 
706; | land eamie sone (c)os 622 see cee oe ema eeae eee 22 
(kt (ee eee GO MRS Seo. cee areas eres ee Se ee ene 22 
(98:1) Sain Gastee Gong). - crocs es oe | eee eo eta eee ce 13 
799: \- Dred wont So sa-vssckice pescee cee eee ene 2 23 
SPECIAL SIGNS USED IN TRANSCRIPTIONS OF SONGS 
These signs are intended simply as aids to the student in becoming 
acquainted with the songs. They should be understood as supple- 
mentary to the descriptive analyses rather than a part of the musical 
notation. 
+ placed above a note shows that the tone was sung slightly 
higher than the indicated pitch. In many instances the tones desig- 
nated by this and the following sign were ‘unfocused tones,” or 
were tones whose intonation varied in the several renditions of the 
song. The intonation of these tones was not such as to suggest the 
intentional use of “fractional intervals” by the singer. 
