DENSMORE] NORTHERN UTE MUSIC 73 
point and immediately rising to a higher one. This, in the outline, 
may suggest the bounding or leaping of an animal. In the Bear dance 
songs, however, the higher point of such a series is more uniform than 
pt at tt 
Huaseen Beegog 
avAsersts coh 
\ \\ 
HH - YI IW TI 
420, GONPerew 
Pry yr ryt Tyr NY Na 
PER rer era Peery Tee 
No. 4. No. 6. 
SCENT ELAR Ae eRe eee 
aa\\ai a\'ssssaaeeeeeeeeeeee 
g 
Bao HEnracteeen career 
\_| 
SSrtrantseceseeee 
BRE 
MT TAY 
ATT 
Coo im NT 
HERR Gahs' ana abaya 
Bebe Lao ett 
No. 7. No. 8. 
Fig. 1.—Plots, Group 1 (Bear dance) 
in the Sioux songs, producing what might be termed a “horizontal 
type” of plot. This appears in a less marked degree in the plots of 
the hand game song. (See p. 181.) 
TABULATED ANALYSIS OF BEAR DANCE SONGS 
MELODIC ANALYSIS 
TABLE 1A.—TONALITY 
Number enoey) SE 
of songs Serial Nos. of songs 
ETO ALICE un ee ser ooo toe Sugeno odor Ie aera Se een a ae anee 12 | 3, 4, 5, 6, 7, 8, 12, 13, 14, 15, 16, 
Wie 
VET OTLB ye tee astene rote mises setee ei oes eee ances oe seh cee Dy alee2 sO) Os AL. 
Wotalse hs setae teach esros sess Jere tian nano Zniateisiate 17 
TABLE 2A.—FIRST NOTE OF SONG—ITS RELATION TO KEYNOTE 
Alpaatis Serial Nos. of songs 
Beginning on the— 
a ONC L chy Crete aay ee va Ste re ee) cae iy ol cich eet LSE > aera 2 | 3, 4. 
Seven lieeee ata erisas cme hoe ect tater Seats acta antaisidec es 15/10: 
SY Big aT sg Es re Sale Oey ae eee EAT See 5 ee eae 1 | 14. 
PH meee eee Acs i ee Non, | en MEE Re an Sanaa Ae Bh (al ycien ole 
TSAI) doce Gee cee? ele ae een ee ea eee es Seem 8 | 2, 7, 8, 12, 13, 15, 16, 17. 
DOCON CG mete Seismic Se tae te ee Sae wie Bachre SeG caesar eeiizie 1h. 
RIGVMOLO ssc cme eos ase eter ace ate aad ae cae eteeaiSeeeis ce 1} 9. 
