148 BUREAU OF AMERICAN ETHNOLOGY [BULL. 75 
and phrasing. -The half note in the ninth measure was sung as the 
close of the preceding phrase, the tenth measure was begun with an 
accent, and the eleventh measure given two quarter notes instead of 
one half note. This distinction was clearly given in all renditions of 
the song. 
The singer stated that the following song was sung by a war party 
when leaving the camp: 
No. 68. War Song (b) (Catalogue No. 704) 
Recorded by StncER No. 9 
VoIcE g— 84 
gk not recorded 
B= Spee = He Sy ree Z = 
pga aaron 
Analysis.—This melody is simple in form, has a compass, of an 
octave, and contains the tones of the fourth five-toned scale. It 
begins on the octave, and ends on the tonic, about two-thirds of 
the progressions being downward. In structure it is melodic. No 
rhythmic unit occurs and the song as a whole has not a decided 
rhythm. For other songs containing rests see No. 8. 
No. 69. War Song (c) (Catalogue No. 723) 
Recorded by StncER No. 16 
Voice g— 80 
Drum a 80 
Drum-rhythm similar to No. 18 
(1) (1) 
i See. com | eee Se 1 
@.- # e @.- -. Saas: 
Sey Se geet eae aie atte] 
=? p+ — => 
) 
ee ee 
—_—_—— ) iG 
Bema as ieee ss a 
