170 BUREAU OF AMERICAN ETHNOLOGY [pour 75 
No. 88. Parade Song (f) (Catalogue No. 762) 
Recorded by Stncer No. 16 
Voice .- — 66 
Drum y — 66 
See gael ane similar to No. 72 
Sie hae eT 
ig Et es Sisees ee 
oat ape segs peers seas 
an pees Sie eee eS =: =e = 
Analysis.—This song has a compass of 12 tones and contains the 
major triad and second. In structure it is melodic with harmonic 
framework. The drumbeat was tremolo to the point marked X, 
after which in four renditions it was in quarter-note values. (See 
No. 72.) The repetitions of the song necessitate an ascending 
interval of a twelfth, which was sung with good intonation. The 
fourth is the Seal of most frequent occurrence, constituting 54 
per cent of the entire number of intervals. (See No. 3.) This 
interval has frequently been noted as associated with the idea of 
motion. 
jis 
No. 89. Parade Song (g) (Catalogue No. 780) 
Recorded by SincER No. 21 
VoIcE ples 60 
Drum ae 60 
Drum-rhythm similar to No. 20 
= = cap Mae Jeary wos 2 
gh" = Sg epee 
SSS See 
ees --e 
See el 
Analysis.—This song has a compass of 10 tones and contains all the 
tones of the octave. More than half the progressions are whole 
tones. (See No. 28.) The lowest tone in the third measure was not 
