﻿)Ffmak.] 
  INITIATION 
  BY 
  SUBSTITUTE 
  

  

  The 
  following 
  illustrates 
  the 
  musical 
  rendering 
  : 
  

  

  285 
  

  

  J 
  

  

  f 
  

  

  f 
  a 
  r 
  f 
  r 
  7~t~ 
  * 
  P 
  n 
  

  

  jL 
  -ft-i 
  i 
  li 
  i 
  !h4- 
  

  

  rr- 
  

  

  ' 
  

  

  r 
  * 
  

  

  #£ 
  

  

  *j=« 
  

  

  ra=S££ 
  

  

  *fc$^ 
  

  

  T=l 
  

  

  A 
  - 
  si- 
  na-bi-hu 
  -i 
  - 
  ya, 
  A 
  -si 
  - 
  na-bi- 
  hu-i 
  - 
  ya, 
  A 
  - 
  si 
  - 
  na- 
  bi-hii-i-ya 
  

  

  D.C. 
  ad 
  lib. 
  

  

  yip 
  

  

  f- 
  

  

  •V 
  i* 
  

  

  ^ZHI2 
  

  

  — 
  #- 
  

  

  ^u 
  u 
  L 
  

  

  3==F 
  

  

  J=t 
  

  

  -0 
  0—0 
  *— 
  »— 
  *~ 
  

  

  Hf 
  

  

  S 
  

  

  II 
  

  

  hia, 
  A 
  - 
  si 
  - 
  na- 
  bi 
  - 
  hu-i 
  - 
  ya, 
  A 
  - 
  si 
  - 
  na- 
  bi 
  - 
  hti 
  - 
  i 
  - 
  va 
  hia. 
  

  

  f 
  r= 
  

  

  ^=p 
  ; 
  — 
  frarT-rr~ 
  r 
  n 
  ^R 
  

  

  U 
  

  

  Nish-a-wi-in-hu 
  gu, 
  0-ko-mi-de-woghe,A-ne-ma-bi-tshigbe,Nishawiinhngu, 
  

  

  -*:+ 
  

  

  lEEffEtEsEtEt? 
  1 
  ^ 
  

  

  ^zzi=*ziiis 
  

  

  -»— 
  *—0 
  

  

  J 
  

  

  ^_: 
  

  

  •^ 
  -™" 
  ' 
  3 
  3 
  

  

  O 
  - 
  ko-mi- 
  de-wog 
  he, 
  Nisb-a- 
  wi-ni-hu 
  gu, 
  O-ko-nii-de-wog 
  he. 
  

  

  As 
  the 
  patient 
  continues 
  to 
  improve 
  the 
  song 
  of 
  the 
  Mide' 
  becomes 
  

   more 
  expressive 
  of 
  his 
  confidence 
  in 
  his 
  own 
  abilities 
  and 
  impor- 
  

   tance. 
  

  

  The 
  following 
  is 
  an 
  example 
  in 
  illustration, 
  viz 
  : 
  

  

  Ni-ne'-ta-we-he' 
  wa-wa'-ba-ma' 
  man'-i-do, 
  wa-wa'-ba-ma'. 
  

   |I 
  am 
  the 
  only 
  one 
  who 
  sees 
  the 
  spirit, 
  who 
  sees 
  the 
  spirit.] 
  

   Nin'-da-ni 
  -wi-a, 
  nin 
  -da-nl 
  -wi-a. 
  

   I 
  surpass 
  him, 
  I 
  surpass 
  him. 
  

  

  [The 
  speaker 
  overcomes 
  the 
  malevolent 
  man'ido 
  and 
  causes 
  him 
  to 
  take 
  flight.] 
  

   Na'-sa-ni-nen 
  -di-ya" 
  a-we'-si-yok 
  no-gwe'-no'-wok. 
  

   See 
  how 
  I 
  act. 
  beasts 
  I 
  shoot 
  on 
  the 
  wing. 
  

  

  [The 
  signification 
  of 
  this 
  is, 
  that 
  he 
  "shoots 
  at 
  them 
  as 
  they 
  fly," 
  referring 
  to 
  the 
  

   man'idos 
  as 
  they 
  escape 
  from 
  the 
  body.] 
  

  

  The 
  following 
  is 
  the 
  musical 
  notation 
  of 
  the 
  above, 
  viz 
  : 
  

  

  I 
  0- 
  

  

  i=&i 
  

  

  5 
  

  

  z£z 
  

  

  :££ 
  

  

  sa^ 
  

  

  Ni 
  - 
  ne 
  - 
  ta-we-he 
  wa 
  - 
  wa'ba-nia 
  man-i-do 
  wa- 
  wa'- 
  ba-ma 
  man-i-do, 
  

  

  D.C. 
  ad 
  lib. 
  

  

  ■H 
  I 
  I 
  I- 
  

  

  m 
  

  

  -70 
  •^*- 
  L 
  ^—*— 
  L 
  *— 
  0— 
  J 
  0—\£T*—*- 
  

  

  Ni-ne- 
  ta-we-he 
  wa 
  - 
  wa' 
  - 
  ba-ma 
  man-i 
  - 
  do, 
  wa-wa'-ba-ma 
  nian-i-d6. 
  

  

  1 
  

  

  -* 
  — 
  * 
  » 
  

  

  