﻿FLETCHKH-I.A 
  FLESCHE] 
  

  

  SOCIETIES 
  

  

  46& 
  

  

  

  ■»■ 
  -37- 
  

  

  tlia 
  mo"-tlii"-llie 
  Kotha 
  nio"-tlii" 
  (lie 
  h-lia 
  mo°-thi 
  n 
  the 
  he 
  the 
  he 
  he 
  tho 
  

  

  i 
  — 
  i 
  -W' 
  — 
  i 
  

  

  ♦ 
  -*■ 
  -F 
  -r 
  

  

  ±=±= 
  

  

  

  I 
  I 
  

  

  fcE: 
  

  

  5=*= 
  J 
  :»=?= 
  zzS:=#:zizzpzz 
  » 
  » 
  . 
  \ 
  ^ 
  A 
  

  

  r 
  r 
  f- 
  f 
  -r 
  

  

  i 
  

  

  Kol 
  ha 
  nn"zhi" 
  the 
  

   Kotha 
  nn 
  h 
  /.hi" 
  i 
  he 
  

   Kotha 
  nci"zhi" 
  the 
  

   Eha 
  in 
  >"zhi" 
  hi 
  limine 
  ilm 
  he 
  thoe 
  

  

  Kotha 
  ino"i 
  hi" 
  the 
  

   Kni 
  ha 
  1 
  1 
  ii 
  i" 
  t 
  li 
  i 
  " 
  i 
  In- 
  

   Kotha 
  niii 
  li 
  thi" 
  the 
  

   Eha 
  inn 
  ,i 
  ilii" 
  hi 
  thame 
  ilm 
  he 
  i 
  hoe 
  

  

  Literal 
  translation: 
  Kotha, 
  an 
  archaic 
  term 
  for 
  friend; 
  no 
  n 
  zhi 
  n 
  , 
  arise 
  

   or 
  stand; 
  the, 
  vocable; 
  eha, 
  now; 
  hiihame, 
  they 
  say; 
  eha 
  he, 
  vocables; 
  

   thoe, 
  close 
  of 
  stanza: 
  Tcoiha, 
  friend 
  ; 
  mo 
  n 
  thi 
  n 
  , 
  walk; 
  The 
  words 
  indicate 
  

   thai 
  tli" 
  members 
  address 
  one 
  another: 
  "Friend, 
  we 
  stand; 
  Friend, 
  

   we 
  will 
  walk." 
  

  

  I'm 
  translation 
  

  

  We 
  say, 
  Friend, 
  arise! 
  

   Arise. 
  Friend, 
  we 
  say. 
  

   Arise. 
  Friend 
  . 
  and 
  Btand. 
  

   We 
  say, 
  Now 
  arise 
  and 
  Btand. 
  

  

  \\ 
  e 
  sa\ 
  , 
  Friend, 
  new 
  walk. 
  

   Now 
  walk, 
  Friend, 
  we 
  saj 
  . 
  

   \\ 
  e 
  saj 
  . 
  Friend, 
  now 
  walk. 
  

   We 
  Bay, 
  Friend, 
  aow 
  walk 
  we 
  awaj 
  . 
  

  

  The 
  songs 
  of 
  the 
  Hethu'shka 
  are 
  of 
  much 
  interest 
  musically 
  and 
  

   they 
  have 
  also 
  an 
  historic 
  value. 
  It 
  was 
  a 
  rule 
  of 
  the 
  society 
  thai 
  

   when 
  a 
  member 
  performed 
  a 
  brave 
  deed 
  t 
  lie 
  society 
  was 
  the 
  authority 
  

   in 
  decide 
  whether 
  the 
  name 
  of 
  the 
  doer 
  and 
  the 
  record 
  of 
  his 
  deed 
  

   should 
  be 
  preserved 
  in 
  song. 
  No 
  one 
  would 
  dare 
  to 
  have 
  a 
  song 
  com- 
  

   posed 
  in 
  his 
  honor 
  withoul 
  this 
  consent 
  . 
  When 
  consent 
  was 
  given, 
  the 
  

   song 
  was 
  composed, 
  learned 
  by 
  the 
  members, 
  and 
  then 
  became 
  a 
  |>arl 
  

   of 
  the 
  record 
  of 
  the 
  Hethu'shka 
  society. 
  In 
  rendering 
  such 
  a 
  song, 
  

  

  