KIDDER-GUERNSEY] ARCHEOLOGICAL EXPLORATIONS IN ARIZONA 195 
ing to an ithyphallic sheep and also human footprints following 
after and coming to a full stop behind the animal. In front is a 
humpbacked individual with an object held to its mouth. Under a 
large barefoot track at the right is a small “ flute-player ” in a pecul- 
iar position on his back with his legs in the air. 
Figure 96, a, from a hundred yards or so higher up the canyon, 
shows five “ flute-players,” four of whom are humpbacked, he on 
their backs, and show the peculiar leg position noted above. The 
fifth is upright 
series of foot- 
prints. 
ries because they 
occur on rock y” 
Examples a-c,. 
however, are of 
Plate 94, d-f, 
are perhaps not 
true groups; i 
they are in- ’ 
faces free from 
interest for E 
. 
.. oe 
> > = Ce 
Ss eS . 
a 
und phallic. 
There is also a & 
cluded in the se- & 
other drawings. 
comparison 
with the Ha- 
goe groups Just =. 
discussed. Of 
these, a shows a > > ‘ 
pair of “ flute- 
b) 
players” analo- ag 
gous in attitude : Ge 
to, and with the 2 
same humped 
backs as, the ones from Hagoé. These two formed part of a large 
agglomeration of pictographs in a cave near Ruin A, Marsh Pass, but 
the majority of the others, among which were sheep, were too mtich 
time-worn for certain recording. Pictographs } and ¢ are from the 
lower reaches of Kinboko just above Ruin A. In one a humpbacked 
individual is shooting a sheep; in the other a humpbacked figure is 
associated with two sheep, and in front of him is a single sandal 
print. 
The one common element in all these groups is the humpbacked 
figure. He is associated with sheep (hunting concept?) in all but 
Fie. 96.—Pictograph groups near Ruin 5. 
