FLETCHEn] 



FIRST EITUAL, PART II 



39 



Wheu the Ku'rahus lias tiiiislieil painting the groove, he hands tlie 

 lilue stem back to the man on his left, toward the north, who holds it. 



Before singing the second song the Kn'rahus prepares the green 

 paint to be used on tlie other stick of ash by the man on his right, 

 toward the south. The clay is mixed in a sliell with water taken from 

 a running stream. AVlien it is ready for use tlie Kn'rahus hands it to 

 the man on his right, who, with his fingei-, I'ubs the paint over the 

 ash stick, being very careful not to get any of the green color into 

 the groove that runs the length of the stick. 



When tlie man begins to paint the stick green this song is sung. 



SECOND SONG 



71 



M. M. J = 126. 



• = Pulsation of the voice. 



o/-(/.s iini 



I 3L, 



Transcribed liy Edwin S. Tracy. 



H' a-re- ri, 'ha - re! I' 



lia-re re! II' a 



? 



Hu - re - e! 



U is Li i - I 



72 H'areri. li'areri; 



73 H'areri. 'hare! I hare re! 



74 H'areri. 'hare! Iliare re! H'areri: 

 7.5 Hure-e ! 



76 H'areri, 'hare! I hare re! H'areri: 



77 Hiire-e! 



TranaJuiiori 

 H'areri, h'ai-eri. 



h", an aspiration, a breathing forth. See the second song, line 07. 



areri, an abbreviation of the word irarihi, a particular or sj^ecial 



place. The change in the last syllable from hi to ri is for 



euphony. 

 H'areri, 'hare! I'hare re! 

 h'areri. See lines 72 and 07. 

 'hare, a part of the word i'hare; an exclamation used to indicate 



that something of serions import has been presented to the 



mind and is I)eing retlected upon. See line -2. 

 i'hare re. Translated above. The (hinbling of the last syllable 



is to meet the requirements of tlie rhythm of the mnsic. 



