/' 



FLET<'HERl 



TENTH KITI'AL 

 Part III. Daylight 



SONG 



IVnrils 1111(1 ^liiftic 



131 



• — Pulsation of the voice. 



Transcribed liv Kdwin S. Tracv. 



Ta-he-sha! Ta-he - Hha! Pi- ra- oruxki-rika. Ta-he - slia!.. 



Drum. «.i.i.^. j.i.i.i . ^ 



ei:w tstrtj U Lr U L 



Ta-he - 



oriixki-ri ka. Ta lie-sli; 





Ta 



« 



sha! Ta-he-sha! Ta-he - sha! 



*_r i_r t r tJ f^ ^ i 



I 



.■)9H Tahesha: Tahesha! 



599 Pirao rux kiri ka. Taheshal Tahesha! 



600 Tahesha! Tahesha! 



601 Pirao riix kiri ka. Tahesha! Tahesha! 



602 Tahesha! Tahesha! 



II 



608 Ta ira! Ta ira! 



604 Ira, ta ira! Hern rera, ta ira! 



60.1 Ta ira! Ta ira! 



606 Ira, ta ira! Heru rera, ta ira! 



607 Taira! Ta ira! 



Translafldii of First Stanza 



508 



509 



Tahesha ! Tahesha ! 



tahesha, daylight, the lijiiit of day, befoi-e llie sun i-ises. 

 Pirao riix kiri ka. Tahesha! Taheshal 



pirao, child, son. 



rux, let; a command or a bidding, as, let him, or, do this. 



kiri, a part of kiriku, eyes. 



ka, a part of taka, to come out, to be seen by coining ont from 

 nnder a covering. The meaning of these words becomes 

 clear when the custom of sleeping with the robe over the 

 head is remembered; tlie Son is bidden to throw the robe 

 off his head and let his eyes be free to behold the day. 



tahesha, the light of day. 



600 See line £98. 



601 See line 590. 



602 See line 508. 



