Boas} APPENDIX 433 
She used different colors for the “leaning” design (fig. 122, 5) 
which she said was considered by some people to be a portion of a 
zigzag (fig. 122, 7) and called “scratch.” 
The “arrowhead” pattern (fig. 122, 6) she varied by using differ- 
ent combinations of colors both for the outlines and for the triangles. 
Yidpa’tko was inclined to think that the name “filled mouth” was 
sometimes given to the two patterns (fig. 122, 8, 9) but she called 
them ‘“‘notch”’ designs and said she had made several varieties. 
No. 2. Tuxi’nrek (Increased Bow), daughter of Yidpa’tko, was also 
from the Spences Bridge Band of the Upper Thompson. Her 
father’s people were Fraser River Shuswap. When interviewed she 
was a young woman aged about 26. She began making baskets at 
about 20 and had already made a number, a few burden baskets and 
other shapes, but mostly bowls and circular forms. She made one 
or more every year. Her teachers had been her mother and some of 
the Upper Thompson and Uta’mqt women who lived at North Bend. 
Tuxi’nek was raised at Spences Bridge. The designs made by her 
are largely represented by— 
Sketches: 4, 31, 40, 60, 80, 128, nearly like 133, 176, 204, 225, 245, 
315, 426, nearly like 440, 441, nearly like 479, 480, 547, 568, nearly 
like 697, and a very few others. 
Plates: 25, b; 49, f; also A. M. N. H. 16/1044; 16/4644. 
The ‘‘mula’”’ design was the first she made. She makes two varie- 
ties of star designs somewhat different from those given here. 
No. 3. Xamal’.ks ( Dress) was a young woman of about 32 
years of age of the Spences Bridge Band, but related by blood to the 
Thompson and Lytton Bands. She was raised among the Thompson 
and was not related to any of the other informants. She began 
basket making when a very small girl, consequently had produced a 
large number, and was still making several every year, on which she 
expended all of her spare time. The designs she used are represented 
in part by— 
Sketches: 79, 80, 82, 114-116, 119, 128, 132, 171, 217, 218, 232, 328, 
340, 341, 355, 361, 399, 400, 402, 412, 440, 463, 465, 501, 519, 520, 547, 
627. 
Plates: Frontispiece; 8, d; 9, a; 12, b; 14, e; 22, d; 24,6; 24,¢ 
(all the designs but not the same combination) ; 25, a; 25, ¢; 28, d; 
31, a (only with cross center); 34, a; 37, ¢ (in vertical bands with and 
without the cross); 37, d; 37, e; 56, d (separate or in different com- 
binations); 57, c; also A. M. N. H. 16/1044; 16/1270; 16/1271; 
16/1273; 16/4581; 16/4620; 16/4644. 
Xamal’.ks makes also the following in various colors: Big bead 
(fig. 122, 10, 11), heaped up (fig. 122, 12). 
