444 COILED BASKETRY IN BRITISH COLUMBIA [ETH. ANN. 41 
She also made practically all of the beading designs shown in 
Figures 42 and 43. 
No. 18. Mrs. John also lived at Lytton. Her parents were Lytton 
and Upper Uta’mqt. They were also connected with another group, 
that of Kanaka Bar. When she was a mere child Mrs. John made 
her first basket, but later she dropped the art almost entirely. At 
about the age of 30 her interest was again aroused and during the six 
years previous to her conversation with Mr. Teit she had made a 
great many and had become a specialist in fancy baskets and also pro- 
duced some picces called “fine work’’—that is, constructed of very 
fine coils and sewing splints. She had made a great variety of shapes 
and in some years had completed as many as 10 or 12 baskets, mostly 
of small or medium size. She had very seldom used the same design 
twice. Those she had employed she identified with Sketches 22, 
elongated, 36, 42, 63, 74, 75, 78, 86, 88, 121, 131, 161, 169, 179, 
212, 225, 231, 245, 252, 254, 278, 281, 315, 316, 357, 380, 388, 392, 
393, 410, 447, 451, 476, 478, 480, 497, 547, 591, 682, 685, 697, 704, 
714, nearly like 716, nearly like 747, nearly like 798, 839, 858. 
There are no data for this informant in regard to the designs 
which appear in the plates. 
No. 19. Still a third member of the Lytton Band whose parents 
had also always dwelt in the vicinity was Mrs. William, who was 45 
years old. When approached for information she was concentrating 
her attention mostly on fancy baskets but she had constructed many 
shapes and at least from three to five or even more every year since 
she began to work asachild. The designs with which she ornamented 
her work may be seen in Sketches 31, 42, 66, 68, but three instead of 
four squares wide, 72, 74, 75, 82, 141, 157, 222, 225-227, 244, 245, 
265, 278, 281, 288, 289, 293, 301, 307, 308, 315, 316, 320, 361, 369, 
393, 399, 400, 402, 423, 435, which she called a patch design, 451, 
464, 465, 468, 490, 519, 529, 584, 682, 697, 839. 
Plates: 7; G18.) G5) 85,0 sl ede l2aaal 2 erOolAe-elesan oso crm (ell 
designs) ; 22, d; 24, c; 24, h; 25, 6 (but closer); 25, c; 28, e; 33, c; 
34, a; 35, b; 37, a; 37, b; 37, e; 39, a; 39, b; 39, c; 46, a; 47, d; 50,6 
(8, a; 33, c; 46, a, in other combinations) ; also A. M. N. H. 16/1271; 
16/1353; 16/9150; 16/9628; 16/9629; 16/9630. 
No. 20. The parents of Mrs. Tommy were of the Thompson Band 
and they, as well as their daughter, had always lived in the neighbor- 
hood. From the time she was very young until she was about 40, 
which was when Mr. Teit saw her, she had been making baskets, 
although more or less spasmodically. Some years she made none, 
others from_one to several. She had made about all the shapes, but 
the majority of her pieces had been circular or burden baskets. She 
noted the following: Sketches 39, 48, 106, 107, 114, 132, 202, 204, 
