BOAS] APPENDIX 449 
The designs she made she recognized in Plate 34, 6; A. M. N. H. 
16/4620; 16/4863. (She also made the beading designs, figs. 42 and 43.) 
No. 27. Josephine was about 40 years old and came from Spuzzum, 
where her people also lived. She did not specialize in any kind of 
baskets, although she had been working since she was a little girl 
and still made five or six per year. Her designs may be seen in 
Sketches 51, 60, a fly design resembling 68, 79, 80, 82, 87, 128, 132, 
136, a pattern nearly like 205, 226, 246, 247, 272, 274, 275, 278, 281, 
a design something like 305, 315, 316, several varieties of 399 and 
400, 451, 489, 518, 520, 584, 704, 729. 
The frontispiece; A. M. N. H. 16/1044; Figure 122, 37. 
She also made a “ tied heads’’ design, “fly”’ patterns in several varie- 
ties in bands of different widths, the “dogwood flower”’ (fig. 122, 38), 
and “leaf’’ patterns (fig. 122, 39), ‘‘zigzag”’ (fig. 122, 40), “bent end”’ 
(fig. 122, 41), “grave box”’ (fig. 122, 42), “butterfly” (fig. 122, 43), 
“arrowhead”’ (fig. 122, 44). 
No. 28, a member of the Spuzzum Band of the Lower Uta’mat, 
was about 25 years old. Her name is not given. Her people had 
always lived at Spuzzum. Since early childhood she had made all 
kinds and sizes of baskets and still continued to make a number 
every year. More recently she had centered her attention on fancy 
baskets. Her designs are given in Sketches 435, 690; in Plates 12, 6; 
23, c; 32, c; 33, b; 43, c, d; also A. M. N. H. 16/5913. She also made 
several varieties of “fly’”’ patterns. She called all check patterns 
which were generally known as “‘little spot” or “bead” (fig. 122, 
45), “fly,” “marked,” or “variegated.’’ She said they were also 
known as “berry”’ patterns. Figure 122, 46, is a ‘garter snake.” 
No, 29. Katie was brought up at Spuzzum. At the time she was 
interviewed she was about 45 years old. Since she began as a little 
girl she had made all kinds of basketry, but had specialized to some 
extent on faney shapes and fine work. During the past two years she 
had not been able to do any work owing to an injured hand, but her 
interest in the art had not waned and she was able to furnish much 
interesting and valuable information. The designs she made are 
seen in Plates 7, a; 12, b; 14, e; 22, c; 24, a (middle design); 25, 6; 
25, c; 28, d; 33, c; 34, a; 37, c; 37, e; 39, a; 40, b; 43, d (made only 
when she was young); 47, d; 55, h; 56, d; also A. M. N. H. 16/1044; 
16/1271; 16/1273; 16/4581; 16/4620; 16/4621; 16/4640; 16/9236; 
16/9628; 16/9630. 
Katie called chevrons which were separated and arranged in vari- 
ous ways “‘separated zigzag.”” She had made some of them. Sepa- 
rate diamond patterns were ‘‘spot here and there,’’ of which she had 
tried several variations. That in Figure 54 she called “‘little spots”’ 
