FEWKEs] BEINGS NOT CALLED KATCINAS 119 



ol)jeots ill the liiiir represent corn liowers. Tlic 1);iti(1 across tlic t'ore- 

 heiul marked with })ars I'epresents an ear of corn, and the red bodies 

 attached to each end are fragments of sheepskin, symbols of corn 

 tassels. Two eagle tail feathers also are attached to each end of the 

 symbolic corn ear. The median object, colored oreen, hanging between 

 the eyes, represents a fragment of Haliotis shell. 



Red chevrons are painted on the face. The square, green pendants, 

 one on each side of the head, represent turquoise ear pendants, which 

 are highly prized by the Hopi maidens. 



Palahiko mana" wears three l)lankets — a kilt, thrown across the 

 right shoulder and hanging under the left arm, with rain-cloud and 

 falling-rain designs embroidered on it, and two wedding blankets, 

 with triangular i-ain-cloud and butterfly symbols, tied about the body. 

 The ends of the great white girdle are shown under the upper of these 

 blankets on the left side. The necklace is of coral beads, and strings of 

 turquoise pendants are shown about the neck. The tigure carries a 

 feathered stick in each hand. 



HOPI CALAKO MANA 

 (Plate LVI) 



On one of the two pictures of this being is seen a mask with a 

 prominent tablet almost identical with that of the preceding. The 

 tablet represents terraced rain clouds, of which there are two vertical 

 and two horizontal, one of each on each side. The object with bifid 

 tips on each side of the tablet represents the squash l)lossom, symbolic 

 of maidens' hair dress. 



Across the forehead is a symbol of an ear of corn, with two feathers 

 attached to each end. The ring hanging over the foi-ehead I'epresents 

 a fragment of Haliotis shell. There are imitation flowers made of 

 wood represented in the hair. The left eye is yellow, the right blue. 

 The chevrons on the cheek are sinular to those found on the face of 

 Palahiko mana.'' 



The artist has represented a garment of feathers, over which is 

 thrown a white ceremonial blanket with embroidered border. The 

 two adjacent trees are pines. 



BULI MANA 



(Platf I.VIl) 



lUdi niana, the Butterfly maid, appears in a dance which was intro- 

 duced from the Kio (jrande pueblos, where it is called the " Tablita," 

 from the tablets worn by the women on their heads. This dance is 



a For picture of doll, see Internationales Archiv fiir Ethnographie, Band vii. pi. ix, x. fig. 28, 31; 

 Fifteenth Annual Ripori of the B\ireau of .\merioan Ethnology, 1897, pl.t'vii, cix, fig. 39. 

 ''These beings, Palahiko mana aiul Caiako mana, probably represent the same conception. 



