ILE USTRATIONS 
PLATE X. Medicine lodge, viewed from the south...........-.-----...-..-. 
XI. Medicine lodge, viewed from the east ........-..----.-----.---- 
DAN CO tOnn AUK ale nee se seem an nes SEN Seer aesie mises se cisece) nase 
PUT PALE OC Oise tre seis wiecie aie emai iania= Ae eaeinas ee asioeec es ce nieeSeieels 
XIV. The dark circle of branches at sunrise. .... -..--.=----+-+--<----- 
RSV CUKT STO ya ATI Dre ecw seni see oo el aineas Soci cae eee nee 
ODE SSC Ms tives EMM OSs oso Ssh GaSe ODORS ESEEEe Se See eeeeeecee 
XVII. Third dry painting.......-.-.- noiciie acSgo ma LEQne aes BEE eos nade 
MVM sHourih Gny Wai oon secs on sae. Sas cee Soe once siecsidececcaaee 
Figure 50. Qastcéél¢i, from a dry painting of the klédji-qagal.....-.....---- 
51, The ¢obolea, or plumed wands, as seen from the door of the medi- 
CHUGHLOM PG rae ere eae te aioe tads ereeye Poet Se eicve oe Ree 
DZ PARAD EN ere ad yt OL tne JOURN OY 25.222 - mre tcin an atte wie eel ee eects 
Bae MLV ERe rT Oa Lf Ol Eos aro dane CSc COO OS OCB S eSB aAS SAR Eee are 
- 54. Dancer holding up the great plumed arrow -....-...----.-.----- 
55. Dancer “swallowing” the great plumed arrow.---....---------- 
56, Lhe whizzer, orproamning® StICk =~ --)-<cenns neo clececesience ooo e 
DUA YMC CA DACC Mia eee cease ammae soe asec eicicee.csce cas ehee 
Demsaeniticnal aticks Gkecan) 2-2. acen eco nce ca coscciccoce scenes aces 
59. The talking kethawn (kegan-yalgi‘)-.........----.----. --------- 
7! 
