TONES. — CHARACTERISTICS OF BRYGOS. 
73 
17. The figures have a less strongly marked chin than do those of Hieron. This 
hold : for 
in many cases the chins of the figures drawn by Brygos are fully as 
strong as those by Hieron. For proof of this, we have the seated figure, at the loft, 
on side A of the vase illustrated in the Wiener Vorlegebl. VI II, 2, and the third from 
the left on B. Other figures showing the same characteristics are the girl on the 
interior of the vase given in the Vorlegebl. VIII, 5, Orsimenes on the lliupersis kylix 
(id. VIII, 4), Hera on the vase given in the Vorlegebl. VIII, 6, and Iris on a vase 
illustrated in Series VIII, 6, of trje same publication. If the chins of the figures on 
the vases just cited are compared with those on a vase by Hieron (31 terschthn, pi. 
XXIX), the difference will appear to be not so much in the chin itself as in the less 
hanging lip. In certain cases, the chins of the figures done by Brygos are shorter ; 
but these are exceptions. 
18. Variety in the garments of women. On the vase given in the Wientf VorlrgM, 
VIII, 4, three out of the four women have their garments arranged differently. The 
figures on the vase given in the Vorlegebl. VIII, 6, also differ in the arrangement of 
drapery, and on the 
Vorlegebl. VIII, 3, five out of the 
vary, while on the vase illustrated in the Vorlegebl VIII, 2, four out of seven show 
variation. The flute-player on the exterior of the vase given in the Vorlegebl. VIII, 5, 
is clad the same as the girl of the interior picture. It will be seen that the female 
costumes on the vases of Brygos do show a great variety of treatment. As great a 
difference is to be seen, however, on a vase by Hieron (Mci*terschalen, pi. XXXI. 
side A), where four out of five vary in the matter of dress, while on another vase 
of his (id. pi. XXIX), the two women are differently draped. 
19. The eyes are narrow. This characteristic is connected by Hartwig with No. 20. 
The combination gives a cunning expression most peculiar to Brygos ; the expression, 
however, is due not to the snub nose but to the narrow eye. We have considered 
this latter feature to some extent under No. 10 — "the tense expression." We have 
now to treat it more closely, and to see to what extent it appears on the signed works 
of Brygos, and then whether it is common with other artists of the same period. That 
common on the signed vases of Brygos is clear from the following 
the Weiner Vorlegebl. VIII, 2, eight of the fifteen fig 
In the 
given in the Vorlegebl. VIII, 3, one out of thirteen (showing that it does not alway; 
predominate), on that given in the Vorlegebl. VIII, 4, six out of twelve, on that givei 
in the Vorlegbel. VIII, 5, eight out of fifteen, on that given in the Vorlegebl. VIII, 6 
two out of fourteen, and on that shown in the Vorlegebl C, 7, none have it. By ; 
reference to No. 10 of our list it will be seen that the narrow eye is present also oi 
