76 TONKS. — CHAKACTERISTICS OF BRYGOS. 
exposed. This motive appears on none of the signed vases of Brygos, nor, to my 
knowledge, on any vase of any other artist (Fig. 17). l 
27. A staff, with a robe draped on it, leans against some object. Hart wig illus- 
trates this with pi. XXXVI, 2, of his Meisterschalen. It is not to be found on the 
signed vases of Brygos. Hartwig notes that it appears on works of Peithinos, a fact 
which emphasizes the need of excluding it from the characteristics peculiar to Brygos. 
28. A girl playing a flute stands before a couch on which reclines a man. This motive 
is common to Brygos, says Hartwig, wh 
by pi. XXXIV of his Meister 
schalm. The signed works give no example of such a figure. It is not on works of 
other 
29. Details are introduced to show locality. For illustration of this, Hartwig refe 
pis. XXXIV and XXXVI, 3, of his Meisterschalen. as well as to 
Gerhard, Trinksch 
u. Gef. pi. VIII. On the vase given in the Wiener Vorlegebl. VIII, 2, a column and its 
architrave are introduced to suggest a house, and the same motive is found on VIII, 3. 
On side B of the last vase, which shows the « Judgment of Paris/' is a tree to indicate 
that the scene is out of doors. The use of such details, however, is not an original 
idea with Brygos, as will be seen from what follows. In the interior of a kyl 
(Meisterschalen, pi. Ill), Charchrylion shows an altar to be in the open air by the 
introduction of a tree. The same detail is used by the « Master with the Bald 
Head " (Boston). On the exterior of a kylix in the British Museum (id. pi. XLI) 
shown canopies, as Hartwig rightly says, to suggest the tent of Achilles from which 
Bnseis is being led away. In the interior of a kylix, also in the British Museum 
(id. pi. XLII, 2), is drawn a door 
Euphronios uses a tree for a detail 
and 
in the St. Petersburg kylix (id. pl. XLIX), and introduces a column and a post 
where boys are nding horses - possibly to suggest a hippodrome (id. pi. LII). Onesi- 
mos, as well, uses the column on the exterior of a kylix in the Louvre (id. pi. LIII), 
T vt , ™ an ° ther ° f the Castellani collection (id. pi. LIV). On a fragment (id. pi. 
L 111) he introduces a tree. The « Master with the favorite Lysis " (id. pi. LXX, 3 b) 
uses a column as a detail to suggest a palaestra. The same feature is present on 
V Z "r;" ** Zelt 1878 ' Pl 2 > and in the •">■ <*• Arch. Inst. 1889, p. 29. 
30 Afcrf^ ar repmenUd m columm hj/ meam Qf ^^ Tii . s feature doeg 
mZ W Z% v mflTT: ^ ° 0,umns ' name,y ' those illustrated in the 
if in, A and 6. It does not occur on the works of other artists. 
b, Lecuglr ColiTt ^ ^ UDSlgned ™* hj Bryg0S ' *» Fi S- 17. Figure a, Meisterschalen, pl. XXXVI ; Figure 
3 See Fig. 17, both figures. 
