84 TONKS. — CHARACTERISTICS OF BRYGOS. 
sentation of an adolescent female figure (interior picture) ; the narrow eye ; the intro- 
duction of details to show locality ; 1 the hair done in a single roll at the back of neck 
(four instances) ; the hair done in a series of egg-shaped rolls ; and the hair done in a 
double row of egg-shaped rolls. This last motive, not appearing on the works of other 
artists, is to be added as a new Brygos characteristic. 
No. 18. On this vase appear the " intense expression " (both interior figures), the 
narrow, beady eye (both girls and the two boys), and the short-haired hetairae. 
In addition to these motives are to be noted 2 the " pearled-edge " border j the dotted 
garments ; food-baskets hanging on the wall ; pillows striped and hanging over the 
edge ; disproportionately long legs and arms of reclining figures (figure of interior pic- 
ture) j variety in women's dresses ; small snub noses on boys and girls ; the lyre, drawn 
also occurs) ; figures reclining on couches 
and slender (the short stubby variety 
are covered to waist with himatia ; some figures are represented with blond hair j 
details are introduced to show place ; the hair is represented as loose (five instances) ; 
nude boy appears as a wine-pourer ; a girl playing a flute stands before a couch 
which reclines a man ; and shadows are shown on columns by dilute glaze. The last 
characteristics appear on the works of no other vase painters, and so are to be 
classed as the property of Bryg 
No. 19. On this vase occurs the " intense expression," 3 and the narrow, boyish ey 
Other characteristics that occur are the thrown-back head ; the tilted-back body 
4 
the short snub nose on boys ; and the introduction of details to indicate locality. 
Three of the men are represented with hairy bodies. This is a variant of the hairy 
satyr-bodies. 
No. 20. Three Brygos characteristics appear on this vase. They are the « intense 
expression " (seen in the youth at the right of the interior picture) ; the narrow, beady, 
boyish eye (in the boy of the interior'picture) ; and the nude boy as a wine-pourer. 
Beside these peculiarities are those of the dotted garments (here both varieties of 
dots, namely, the - stitches," and the large ones) ; the striped pillows hung over the 
edge ; the snub nose on the boys and girls (here a boy) ; the draping of reclining 
figures up to the waist with himatia ; and the use of details to show locality 
No. 2 1 . Th 
u 
is marked as the work of our artist by the presence of the 
expression " (in the trainer of the interior picture), and the beady eye in the 
boy with boxing thong 
1 Athena and altar on A. 
• S: Z£ul!" Wt „°: A a" f breaSt> - * COmm ° D "**» Wi "> "**» fro m the hairy satyr-body 
4 At right end, each side of vase. 
* 
