TONKS. — CHARACTERISTICS OF BRYGOS. SQ 
No. 47. The figure of Hermes and the bearded figure of the interior picture ex- 
hibit the "intense expression," and Menelaus wears about his ankles, below his 
greaves, the looped band already mentioned. 
Other characteristics are the stripe, with dots along one edge, as a bonier for gar- 
ments (one instance); variety in garments of women; the portrayal of boyish fan* 
with snub noses (Eros of the Ariadne picture); and the introduction of details to indi- 
cate locality. 1 The female, and the bearded, figures of the interior picture show thu 
narrow eye. 
No. 49. The head on fragment No. 5 shows the intense expression. 
Fragments Nos. 4 and 5 show the motive of the dotted garments. Variant! of 
characteristics appear in the representation of the pillows as striped, and the use of 
dilute glaze on the end of the tree on fragment No. 2. 
No. 50. This vase is characterized as a work of Brygos by the "intense ex P . 
sion " exhibited by the bearded head on fragment 1 b. 
No. 51. The « intense expression " of the boy marks this as a work of Brygos. 
The boy is also represented with a snub nose, and both he and the girl have the 
narrow, beady eye. The lips of the boy are parted. 
No. 52. Two Brygos characteristics appearing on this vase are the « intense ex- 
pression " shown by the figure at the right on the exterior, side A, and the intro- 
duction of the nude boy as a wine-pourer. As an exception in this case two such 
boys as wine-pourers appear on side A, exterior. 
Other characteristics are as follows: food- 
baskets hung on the wall (two in each exterior 
\o 
picture) ; the representation of reclining figures 
with very long legs and arms (the figure at 
the right on side A); the drawing of the boys' Fia 
noses as snub; the draping of reclining figures 
to the waist with himatia (both interior fig- ^ ^ ^ 
to Beyckh. 
30. Lecuyer, E 5. 
ures, two on side A, and three on side B) ; the showing 
..... , 1 ..l!i.„2 
hair; and the use of details to show locality. h 
It will be noticed by consulting the vase that the end figur * « This 
exterior, side B, is so posed that one of his legs hangs over th< > en ^ 
is iUostrated in Fig. 2, This pose is ahnost ^ ™ ^re *ext to the g ir> 
of the list appended to this monograph (p. ol). it appears 
, , rtjj Tti thp interior the rock on 
- Co,„ ra „, archive, and edge of reef on A, and the aHar before the bn„d„, g . In 
which Ariadne sleeps, and a tree. 
* Couches, tables, skyphos on the floor, baskets on the wall. 
