I 
TONKS. — CHARACTERISTICS OP BKTGOS. 
tlie narrow eye is to be found on No. 35 of the list of vases. Now tli last men- 
tioned characteristics are all present on v <q No. 2. Tl)e fact that one of them, 
namely, the loosened hair appeared on thirteen of Brygos' vases, the hair in < 
shaped rolls on four, and the hair in a single roll on the neck on two vases, poim 
strongly to Brygos as the maker of the vase. The combination of the motive* ol the 
narrow eye, the hair in a series of egg-shaped rolls, and the loosened hair occurred, 
as we saw, on vases Nos. 2 and 35. So we may consider this group at constituting 
one of the means of identifying vases to be classed as those of Brygos. 
Next to the characteristic of the narrow eye, Brygos showed hi- love for the 
"intense expression," and the introduction of details to designate locality. The 
former of these characteristics appears on thirty-four of his vases, the latter on thirty- 
five vases attributed to him. The motive of the head thrown far back, and the I pre- 
sentation of the hair as blond recur many times, — the former being found on nine 
vases, the latter on eleven vases assigned to our artist. The combin n of the mo- 
tives of the head thrown far back, the representation of the hair as blond, and the ufle 
of details to show locality makes its appearance on va 3 No. 7; that of the throwti- 
back head, and the blond hair on vases numbered 5 in the list of signed work-, and 
on 7 and 19 of the unsigned ; that of the blond hair, and the use of details to show 
locality on Nos. 8 (signed vases); and 7, 19, 34, 35, 46 of the unsigned. The group of 
the motives of the blond hair, the thrown-back head, and the use of details to show 
locality all occur on vase No. 3 of the list. The fact that the ime group appears 
on vase No. 7, and that the individual members of the group appear on to many vases 
of our artist would point to this group as another means of recognizing a vase by our 
artist. 
Vase numbered 44 of the list shows a large number of characteristics app iring on 
various vases of Brygos. These characteristics are the use of dots to ornament gar- 
ments; the motive of the head bent far back; the hanging of food-baskets on the i ill ; 
the drawing of the pillows as striped and hanging over the edge; (he draping of 
reclining figures to the waist with himatia; and the use of details to indicate the 
locality. Of these the group made up of the first, fourth, fifth, and sixth character- 
istics occurs on vases numbered 18, and 20; the group made up of the second. 
third, fourth, fifth, and sixth on Nos. 30 and 55. We have seen that the second, 
namely, the motive of the thrown-back head, occurred on eleven va » by our artist; 
the use of details to indicate locality on thirty-five vases. The nee of dots as an 
ornament for garments appears on twenty-two vases; the food-baskets hanging on the 
wall on seven ; the striped pillows on five, and the covering of reclining figur. • to the 
