TONKS. — CHARACTERISTICS OP BRY<0 05 
To summarize, then: the groups of additional characteristics > far . >tal>!Mie<l, h\ 
which five new vases have been added to the list of Brygos' works, arc as follows i l 
1. The hair is drawn in a series of egg-shaped rolls, the eye is narrow, and the 
hair is loosened. 
2. The head is thrown far back, the hair is blond, and details show th§ plaoe 
represented. 
3. The head is thrown far back, and the hair is blond. 3 
4. The hair is blond, and details show the place represent I. 
5. The garments are ornamented with dots, pillows are striped and hang over the 
edo-e, figures reclining on couches are draped to the waist with liimatia, and detailf 
] til low 
show the place represented. 
6. The head is thrown far back, food-baskets hang on the v ill, the 
striped and hang over the edge, figures reclining on couches are draped to tl, waist 
with liimatia, and details show the place represented. 
7. The eye is narrow, the hair is loosened, and details show the pla< repre; nted 
8. The stripe dotted along one edge is used as a border for garments, the garments 
are decorated with dots, and the hair is drawn in a series of egg-shaped roll 
9. The garments are dotted and the hair is drawn in a series of egg-shaped rolls. 
10. The stripe dotted along one edge is used as a border for garments, the garments 
are decorated with dots, and the sceptres are wound with a fillet. 
11. The head is thrown far back, the lyre is long and slender, and details show the 
place represented. 
investigation of the characteristics of Brygos it must have Income 
DkA.LXLM.^ UHVy **»VWr»Q 
evident that the artist was bound to his contemporaries by many stylist.c ,,,culi.,r,.,<is. 
Dummler (Bauer Stnd. p. 70) notes the connection of Bryff with Huron, ami 
... i • i ~ a * f^ infinity thenoifible combination? of chara< 
. It TO uld be pebble, of course, to go on muUiplvin, almost * ^» £ V ^^ „„ 
teristics that might be compiled from the list of peculiarities assigned U > »>*" on ^ ' 101) . H j, 
of combinations -which does not by any means pretend to be compiet . 8> T , , 
not claimed that ,he groups of *-f*H^^h«^«*^S?i!2lIt 
may not. be so; for in order to v 
be the neceeei 
may not, be so; for in order to verify each group there wouia ue «» «— ^ - That 
all the vase painters contemporary with Brygos, to see if it appeal on the^ wo*. <* an 3 rtf th * ^ ^ 
wnnlH m^n f.hp ^.deration of each artist as carefully as Brygos has been treate . • ,«;„»-» n f 
would mean the consideration of each artist as careiuuy as D .j g u. handbook of all the painters of 
present monograph would be not a treatise on the style of Brygos but a n nute ^book P ^ 
L period, whih'is beyond the plan laid out here. I have, f^«^^. T££* no ££5«al 
characteristics of his. 
ases known to have been 
artist. They do not, to my knowledge, appear on the works of other artists. 
* This is a variant of No. 2. It is to be understood that while made uj 
appears on vases that the larger group Xo. 2 does not fit. 
