TONKS. — CHARACTERISTICS OF BBTGOS. 1 1 ', 
56. Kylix : Overbeck, Kwistmytholoffie, Atlas, pi. A' [, 3. 
Subject: Danae with Perseus, Akrisios, and maker of the chest, around the chest 
In the field Fig. 83 and 6 7rcus K-aXos. 
57. Kylix: Museum of Fine Arts, Boston, No. 7927.' lerior. (lorhanl, An*. 
Vasenb.jA. CCIII (poorly given); and Overbeck, Galhm JLroischer B'dthv* ke, pi. ]'.>, 
No. 1. 
Subject : Interior. A youth (Fig. 84) seated on a rock. Facing him stands a 
bearded man (Fig. 85) 2 armed with sword and spear. Exterior, side A. llektor pur- 
sued by Achilles; only the lower part of Achilles, and a small part of his face, remain. 
At either side ot picture, a gateway of the walls of Troy, in which stands a Scythian. 
Exterior, side B. In the centre, a gateway, in front of which Priam (Fig. 86) advances 
toward Athena (Fig. 87). Hekabe (Fig. 88) follows him. 
58. Fragment of a kylix: 3 Berlin. Cat. No. 2297; I [art wig, Mmfcrschakn, 
p. 325, Fig. 43, and pi. XXXV, 3. 
Subject : Interior. Kemains of a picture showing a draped boy, to right, helping 
a drunken man to rise. Exterior, side A. Two men and boy. Exterior, side l'>. A 
youth, and remains of two other figures. On the exterior is incised a sensel<> 
inscription. 
59. Kylix : Overbeck, Kunstmythologie, Atlas, pi. VI, 4. 
Subject : Interior. Episode of Danae myth. At the left of the chest stands the 
youthful maker of it, opening it, while Akrisios stands at the left, to right, raising 
his hand toward Danae, who stands behind the chest supplicating Akrisios. At 
extreme right is nurse with Perseus in her arms. 
60. Rhyton : Boston. Museum of Fine Arts. 
Subject (the picture is confined to a broad band just below the lip) : On the front 
kneels a satyr, to left, waiting to surprise a Maenad who rushes toward him, to right, 
pursued by a satyr. The last two figures are separated by the handle of the vase. In 
the field is a senseless inscription. 4 The vase is in the form of a horse's or mule's head. 
61. Kylix: Univ. of Vienna. Jb. d. Kunsthist. Samml. d. alkrh. /u//.^M., 1889,p. 113. 
Subject : Interior. A girl, clad in a deep, undergirdled chiton, stands to right, 
looking to left, before a large amphora set in the ground, holding before her in her 
i A tracing is in the Apparat of the Berlin Museum (see Kretschraer, Vaseninschriflen, p. 186, Note 2). Cf 
Pollak, Zwei Vasen aus der Werkstatt Hierons, pp. 21 ff. and pi. VIII. 
2 For the motive of the petasos tilted forward, cf. Hermes, on vase No. 46. ,.,,-. 
« Hauser, Jb. d. Arch. Inst. 1895, pp, 161-101, unites the piece given by Htttwig with a fragment ,n Munich. 
They evidently belong together. He says that the style of the drawing is that of I he •« Meister mit dem Liebhog 
Lysis " or the " Meister mit dem Liebling Laches." 
4 For the same inscription, cf. vases Nos. 31 and 49. 
