116 TONES. — CHARACTERISTICS OF BRYGOS. 
left hand a kettle, in her right a coil of rope. In the field at the left of the girl is 
6 n-at? ; on the kettle, kol\ ; on lip of amphora, remains of 6 7rcu?. 
62. Kylix : Van Brantegehm Collection, Sale Cat, No. 77 (pi. 28). 
Subject : Interior. A nude girl stands profile to right before, a basin, holding a pail 
behind her in her right hand, and supporting a bundle of clothes on her left arm. 
On the pail, KaXij ; in the field, rj ttous kciXo? (sic). 
The following is a list of the vases which have been ascribed to Brygos, but of 
eh I have been unable to learn the characteristics : 
1. Kylix : Munich. Cat. No. 596 j Hartwig, Meisterschalen, p. 372. 
9 
Kylix (unpublishable) : Brussels, Cat, No. 263 j Hartwig, Meisterschakn, p. 328. 
3. Kylix : Berlin. Cat. No. 2295. 
Subject: Interior. Standing hoplite, and kneeling bowman. Exterior, sides A 
i 
and B. Hoplites and light-armed warriors. The latter on horseback. 
The assignment to Brygos of the following vases seems to me open to argument. 
1. Kylix : British Museum. Cat. E, 66 ; Murray, Designs from Greek Vases, No. 
44 ; 2 Hartwig, Meisterschakn, p. 443, Note 1 (says that the vase is by the " Master 
with the Bald Head"); Furtwangler (Roscher, II, 2162 and 2217, and Berlin Phil. 
Woch. 1894, p. 145) assigns it to Brygos. Robert (Pauly-Wissowa, V, 924) gives the 
vase to Brygos. Furtwangler and Reichhold, pi. 47. 
Subject : Interior. Standing, bearded, bald man. Exterior, side A. Dionysos and 
Herakles, feasting, attended by satyrs. Exterior, side B. Dionysos reclining, while a 
satyr dances to the flute-playing of another. 
2. Kylix : Berlin. Cat. No. 2296 ; Arch. Zeit. 1880, pi. 15, p. 177 ff. 
Subject : Interior. Oriental beside a horse. Exterior, sides A and B. Youths, 
in chlamydes and petasoi, with horses. 3 
i Furtwangler says, « Der Styl ist im Ganzen wie in Detail der des Brygos." 
* The exterior is given in a plate of the Brit. Mus. Cat. Vol. Ill, pi. IV. From this it seems unlike the work 
of Brygos. 
« But two of the characteristics occurring on Brygos' works appear here, - the garment border consisting of a 
«^^ stripe with dots on one edge, and the introduction of details to show locality. The 
c *"~^ hi gh boots worn by the youth on exterior, side A, are similar to those of the satyr 
on the vase given by Hartwig, Meisterschalen, pi. XXXII. But the same style occurs 
on vases by Onesimos, Meisterschalen, pis. LIV (interior) and LIII (exterior). The 
horse, however, on side A of our vase, resembles the mule on the vase already cited, 
Meisterschalen, pi. XXXII (by Brygos). It is to be noted that on none of the vases 
. , . , • y 0nesimos do the ho rses have the mane, or " foretop " cut in » bangs " on the fore- 
head as is done on this vase. Besides this Onesimos, almost invariably, never brings the nostril of the horse 
to the end of the nose. See Fiir. 8f). a 
Figure 89.— (Arch. Zeit. 
A) 
See Fig. 89. 
