104 



Embroidery. 



Same a.s tliat part of the sign for Bendiii where tlie liaiuls are in 

 front of the body, left statiouary, and the right holdinj; the siuew moved 

 to and over it. {Dakota I.) " From embroidering with beads." 



End. 8ee Done. 



Enemy. 



With the right fore and mi(hne fingers spread, pointing toward the 

 left, and backs forward, throw tlie hand about a foot forward and out- 

 ward two or three times from near the face ("1 don't waut to see him"); 

 touch the chest over the heart and atterward make the sign for Bad 

 ("my heart is bad"); then, from just in front of the right eye, its palm 

 forward, push the upright tist forward six inches and a little toward the 

 lefl, at the same time turning the palm backward {"I am angry"). Da- 

 lota IV.) 



llic. Italian sign for enmity. — Opposition in the ends of the middle 

 fingers touching eacli other, and all the rest of the flnger.s clinched. 



(Biith'y.) 



Enoii^^li, a I>e8!y full. (Compare (^lad and Full.) 



The sign for Ealing' is first made, then the thumb and forefinger 

 are oi)posed to each other so as to form a semicircular curve, which is 

 elevated along the body from the belly to the neck, in order to indicate 

 that the interior is filled with food up to that part. [Burton.) 



First make sign for Eating', then stretcii the forefingers and thumbs 

 apart, as if to span something ; then place the hand near the stomach, 

 and move it up along the body until the muscle connecting the thumb 

 and forefinger rests in the mouth. Chei/enne sign. (Keport of J. W. 

 Abort, loc. cit, p. 431.) 



Right hand brought to front of body, forefinger iiointiug to and rest- 

 ing against stomach and gently drawn along upward to the throat and 

 continued upward and outward. [Cheyenne 1.) 



The Sioux Indians express Enougrh l>y End, Done. [Balotal.) 

 " I am done; have had enough." 



Make the sign Detsiire, then the sign for No. [Dalota IV.) 



Deaf-mute natural .figns. — Move the hand (palm upward) in a gentle 

 curve downward, with a suitable expression of countenance. [Ballard.) 



Bend your head a little forward and move the hand (held horizon- 

 tally) upward on the throat. (Cross.) 



Move the forefinger across the front of the neck from side to side, so 

 a8 to indicate that the throat is tull. [Hasenstab.) 



