116 Records of the S.A. Museum 



14. MARARUNI (Wonkanguru Tribe). To the hand with four 

 finsers, the Tnn representing a four-fingered hand. 'J~he Muramura, \\'utju- 

 kana, had a ser\ ant whose index and middle fingers had partly grown together 

 as indicated Ijy the ')"oa. '['he Toa also has a geographical significance, for 

 when Wutjukana came to a giirge which divided into four branches, one being 

 deeper than the others, he said tn himself, "this place looks like the hand of 

 the serxant," and so he ga\e it this name. 



15. PIRRAWODANI (Diari Tribe). To the hall-finished bowl. The 

 Muramura, Pilikipana. intended to gouge out a wooden fodd liowl tnr himself, 

 but ha\ing half-linished it he threu' it a\va_\', and from it originated a water- 

 hole shaped somewhat like a Ijowl. The head of the Tcja thus represents a 

 IK'.rth' linished l)o\\l, and the black bands below it the gouged out pieces of 

 wood. 



16. WINPARAWONPANI (Diari Tribe). To the Winpara hill ; so 

 called because the Muramura, Velkabalubaluna, found the hill o\ergrown with 

 A\'inpara bush, a tuft of which is attached to the head of the Toa. 



17. PIRRAWOKARIBANANI (Diari Tribe). To the broken bowl. 

 Here the Muramura, Ngardutjelpani. broke a buwl and she so named the place. 

 The head of the Toa represents a brLiken bowl, and the two black bands two 

 channels of Cooper's Creek. The broad white band is an ele\ation lietween 

 the channels, and the narrower l);inds bekr.v denote ele\ations between other 

 watercourses. 



18. MANJITANTANI (Wonkamarla Tribe). To the long lake, the 

 whole Toa showing the form of the lake. The red ground at the top indicates 

 the ccilour of the soil at om: end of the lake on which grow gum trees (white 

 dt'ts), the rest of the lake bed being yellowish. The two black figures repre- 

 sent stones arranged in the form cjf emu tracks, l)ecause an emu is said to 

 have stojjped here once. The Muramura, Kurkarli, was the first to see the 

 lake, and she ga\e the name i m account of its length. 



19. WINKARAMINDRINI (Diari Tribe). To the W inkara invoca- 

 tion song. Here the xMuramura, Winkarakalpina once sang his in\dcation to 

 the ]\lura (Su])reme Being ). The Toa represents a sandhill which, at its ujiper 

 p.art, is dix'idefl \nUi two, the red knolis indicating parts that ha\e been washed 

 away. 



2U, YERRANGARUNI (Yandruwanta Tribe). T. . the sloping banks. 

 At this place the female .Muramura, NgutnHni, noticed sloping l)anks which 

 seemed to her remarkable. The 'l"oa represents the bed of the Dingadinga 

 Creek, which makes many bends (red marks), and it indicates henv the water 

 had washed out the banks. 



