il3i2 Records of the S.A. Museum 



on the reverse side of the Toa indicate places where the Muramiira, Pintan- 

 ganina, fixed stakes for his fishing nets. These are beheved to have taken 

 root and to be standing there to-dav. 



133. KURLAMANKINI (Wonkanguru Tribe). To where the water- 

 course sjjreads out. The body of the Toa re])resents a flat where Salt Creek- 

 spreads out to such an extent that it is no longer a definite channel. The red 

 and yellow spots indicate that \'arious bushes grow on the flat, and the twt) 

 red prongs below, denote rivi.r channels which receive water from the flat. 



134. NURAWORDUPUNUNANI (Diari Tribe). To the place where 

 the Muramura, Nurawordubununa, crept into the earth. The white head 

 denotes a plain surrounded by hills (red) where this event happened. The 

 projecting arms represent two sticks (kunya), which the Muramura wore in 

 his hair. 



135. MINKAYERINI (Wonkanguru Tribe). To the open grave. The 

 white ground of the body of the Toa represents soft ground on Salt Creek, 

 which is overgrown with bushes (red and yellow spots), and the upper red bar 

 denotes harder ground. The gap between the bar and the body of the Toa 

 represents the grave itself, which was dug by the Muramura, Palungopina. 



136. KALDRITJERKANANI (Diari Tribe). To the place of warlike 

 gestures. Wishing to kill I'itikipana the Muramura, Marluna, here made 

 threatening gestures with his spear. The Toa represents a curved hill at the 

 tO]) i)f which are black stones (black top), and below this is an encircling belt 

 of limestone (white). The red lines denote watercourses running down the 

 hill. The black top also symbolizes the blackened cap (kabuluru) which a 

 native wears when going on an avenging expedition. 



137. MARDAMARDAPARINANI. To the place where many stones 

 lie about. So named l)ecause on this plain (white top) the Muramura, 

 Karluwarankana, found many large stones. 



138. KARKUMARRANI (Diari Tribe). To the beautifully coloured 

 hole. So named because the female Muramura, Wariliwulani, here discovered 

 a red-coloured hole, which the head of the Toa represents. 



139. KUTJIELIDIJANI (Diari Tribe). To the place from which the 

 devil was hunted away. The white knob in the middle of the Toa represents 

 a waterhole, and the part above, a sandhill having a curved form. As the 

 Muramura, Mandramankana, sat at this waterhole, one evening, the devil 

 crept out to take possession of one of his attendants ; but the Muramura chased 

 him away with his boomerang, and, where it fell, arose the curved sandhill. 



