12 



MR. MUREAY'S LIST. 



THE TEEEA-COTTA AECHITECTURE OF 

 NOETH ITALY. 



POURTRAYED AS EXAMPLES FOR IMITATION. 



From careful Drawings and Restorations. With Descriptive Text. 



Edited by LEWIS GRUNER, 

 Author of the " Fresco Decorations of Italy," &e. 



With Chromo-Lithographic Ilhistrations, printed in Colours, and Woodcut Sections, 



Mouldings, &c. 



Small Folio. £5 5s. 



" Mr Gruner's work aims at supplying a 

 series of specimens, commencing with simple 

 and proceeding to more elaborate forms. The 

 views are beautifully drawn and coloured, and 

 form a storehouse of decorative detail. It is 



a work of very great value and beauty, and is 

 likely to have a considerable influence on the 

 movement in favour of the employment of 

 terra-cotta amongst us in architectural works 

 now going on." — Builder. 



MEMOIES OF THE EAELT ITALIAN PAINTEES. 



AND PROGEESS OF PAINTING IN ITALY. 



By MRS. JAMESON. 



Netv Edilion. With 60 Portraits, from the best originals. Crowo 8vo. 12s. 



OLD LONDON. 



PAPERS READ AT THE ARCH^OLOGICAL INSTITUTE, JULY, 1866. 



Svo. 125. 



LIST OF AtmiORS : — 



A. J. BERESFOKD-HOPE, M.P. 

 DEAN STANLEY. 

 GEORGE T. CLARK. 

 GEORGE GILBERT SCOTT, R.A. 



RICHARD WESTMACOTT, R.A. 

 EDWARD FOSS, F.S.A. 

 JOSEPH BURTT. 

 REV. J. R. GREEN, M.A. 



GEORGE SCHARF, F.S.A. 



" There is no city in the world where the 

 local researches of the antiquary are of more 

 service than in London. The names which 

 appear in the list of contributors are no in- 

 significant guarantee that the work under- 

 taken has been ably and conscientiously 

 performed ; but in this department of litera- 

 ture something more than mere special infor- 



mation and technical accuracy is required to 

 interest the general reader, and we are bound 

 to add that in this collection of essays the 

 selection of subject has been judicious, and 

 that each writer has done his best to present 

 what he has to say in a form which shall be 

 acceptable not only to the dilettante but to 

 the public at large." — London Review. 



